This week I experimented with hard and soft ground. Here is “The Absinthe Table”, etching on copper plate.
It’s based on a sketch I made at the Hotel de France, Vaud, Switzerland. They have a collection of absinthes for tasting.
Walking on the way to the print studio I decided I would do two colours. Furthermore, I thought that the second colour, with black, should be green, as absinthe is sometimes called the “la fée verte”. Rooting about in the leftovers box at the Print Studio I found some green ink.
The long process of making the plates took all morning. I watched the rain fall into the canal. Perhaps some of this atmosphere went into the print. Making a two-colour print means:
- placing the colour-ink plate on the press.
- roll over until the plate is out but the paper is trapped under the press roller
- lift the press blankets and remove the plate without shifting the paper or the template
- get the black-inked plate
- put that plate very carefully in the same place on the template
- replace the press blankets and roll back over
The potential for error is great. The most obvious error is to put the second plate in up-side-down.
I printed the plates in the afternoon. The error that happened first time round was that the green ink didn’t print at all. Not a dot. Examining the tube very carefully, reading the writing between the splodges on the tube, I saw that it was “block-printing ink”. Lesson: block printing ink does not work for etching/intaglio process. OK.
This is why the background is brown, using the Charbonnel etching ink which I had brought with me. This is very reliable, but is brown not green.
Here is the single colour black, one plate in hard and soft ground.
Here is an out-take, the very first print of this series. The bottles are in hard-ground only, and the registration is totally off. But perhaps that weird dislocation is appropriate for a picture of an absinthe table.
Here’s a sketch of the absinthe table from February this year:
Jane, you made a wonderful kind of a series of an absinthe table. Absinthe always has a mysterious ‘air’ to me, sort of magic. Thank you for your story with your pictures!! 😚
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Hello Francisca and thank you for your comment. It’s great to hear from you. Absinthe has all sorts of connotations – it was banned in Switzerland in 1906 and only legalised again in 2004, which makes it slightly edgy. There are also links to Ernest Hemingway, Picasso (https://www.arthermitage.org/Pablo-Picasso/Absinthe-Drinker.html). It certainly has a mysterious and somewhat sinister reputation. The ceremony is special – you drip cold water through a sugar cube into the glass of absinthe, which is very bitter. The “fountain” for this purpose is shown in my pictures, you see the little taps.
I have tried it, but frankly I prefer a glass of the excellent local wine.
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I so love your wonderful work and look forward to it! Every new entry is a delight to my eyes. hoping you’ll come to vermont sometime to sketch/paint!
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Thank you so much for your kind comment Sue. It’s good to hear that my work gives pleasure – I’m so glad. Thank you for visiting my website and for commenting – and for the Vermont idea! Much appreciated.
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