Here is a building in Cosser St, near Lambeth North tube station.
This is the first of three drawings in the area, for a commission. Someone who had enjoyed living here was going to be moving to the country, and asked me make some pictures for them, to remember the locality.
Ambulances park in this area. The street is not so empty as I have drawn it. Fortunately, they do not always park in the same place, so I could draw the front of the building a bit at a time. You can see the ambulances in the work-in-progress drawings below.
It was very cold, and there was an autumn wind.
The colours in this picture are: Phthalo Turquoise (W&N), Perylene Maroon (DS), Fired Gold Ochre (DS), Mars Yellow (DS), and Green Gold (DS).
I found a good viewpoint at Podium level, underneath Crescent House. At ground level a woman ran circuits of the tennis courts. After a while she started doing interval training: running up and down the stairs near where I was standing. Then she came and asked if she could see the picture.
Cullum Welch House is named for Sir George James Cullum Welch O.B.E., M.C. He was Sheriff of London, then knighted, then Lord Mayor of London in 1956, which was when the Golden Lane Estate was being built. He was knighted in the 1952 New Year Honours. He served in the army in 1914-18 and 1939-45 conflicts, and gained the rank of Lieutenant-Colonel.
Cullum Welch House and Great Arthur House, together with other buildings in the Golden Lane Estate are listed Grade II. The listing was in December 1997. Here is an extract from the listing on the Historic England site.
REASONS FOR DESIGNATION: Cullum Welch House, part of the Golden Lane Estate, is designated at Grade II for the following principal reasons:
* Architectural interest: as a self-sufficient ‘urban village’, in which every element of space is accounted for and every detail carefully considered, the Golden Lane Estate has claim to be the most successful of England’s housing developments from the early 1950s.
* Planning interest: the estate reflects the formality, mixed with picturesque attention to landscape, which was emerging in British architecture in the early 1950s, this saw the spaces between the buildings being almost as important as the buildings themselves.
The strong formality of the estate became a key characteristic of the work of Chamberlin, Powell and Bon, as did the provision of a wide range of facilities on the site other than just housing. These are features that can also be seen at their Barbican development.
Here’s the description of Great Arthur House from the Historic England website:
Great Arthur House was built in 1953-7 from reinforced concrete. The 17 floor building was the first to break the London County Council’s 100 ft height restriction and was briefly the tallest inhabited building in England. The flats were designed for single people and couples such as nurses and policemen who had to live near their work. The architects for the estate were Chamberlin, Powell and Bon.
It was cold when I drew the picture, 10 degrees C. I wore a hat and gloves. Here are photos of work in progress, and a map.
This picture took about two hours overall, plus 15 minutes for the preliminary sketch.
The colours are Perylene Maroon and Prussian Blue, which make the grey tones, plus Hansa Yellow Mid which is the exact colour of the yellow cladding on Great Arthur House.
Here is a collection of my recent drawings of the Golden Lane Estate. Click on the picture to read more about the picture.
Here is Wells Cathedral, sketched from a stone step in the cloisters.
The cathedral was started in 1175 and dedicated in 1239. This central tower was heightened in 1326, and is supported by a marvellous system of scissor arches, installed across the nave and transepts in 1338 by a mason called William Joy. He must have been courageous, as the design of the internal bracing arches is radical, and evidently he was talented, as the tower still stands.
The pinnacles I have drawn were installed in the 15th century after a fire destroyed the original lead roof and spire.
Here is work in progress on the drawing, and a map to show the viewpoint. As you see, I made a preliminary sketch to try to get my head around the perspective lines.
I made a second sketch, based on the first:
This is one of a series of drawings of English Cathedrals. Here are some of the others in the series:
I enjoyed the bold statement of the vertical yellow rubbish chute, visible above the balconies.
There were many plants on people’s balconies. I didn’t draw them all. Many people had window boxes, with geraniums and trailing leaves. On the upper floor, a length of camouflage netting hung across the balcony. You can just see it towards the middle of the picture. Then there were the three rose bushes, sketched in the foreground. All the while, the fountain played. There were lilies in the pond.
According to Wikipedia, Stanley Cohen was chairman of the City of London public health committee in 1954, but I have been unable to verify independently if he was the person for whom this building was named.
Here is work in progress and a map.
This drawing is 25cm by 16cm, 10 inches by 6½ inches on Arches 300gsm watercolour paper. It took 1½ hours. After a preliminary sketch, shown in the gallery above, I started work on this drawing at 14:30 and finished at 16:00. The colours are Fired Red Ochre, Mars Yellow, Perylene Maroon, and Phthalo Turquoise, over De Atramentis document black ink.
Here is a collection of my drawings of the Golden Lane Estate:
Yesterday I drew Basterfield House, sitting on some steps in the shadow of Great Arthur House.
Basterfield House is at the North of the Golden Lane Estate. Here is a map. Great Arthur House was over my right shoulder, and cast its huge shadow in the afternoon sun.
Behind the tree, the low-rise block is Stanley Cohen House. In the background of the drawing is the Atlas Building, just to the left of the tree. On the right of the tree is the architect’s practice at 88 Golden Lane.
On the right is Godfrey House, Bath Street, Islington, part of the St Luke’s Estate managed by the London Borough of Islington. It’s former “council housing” built in 1965. Today many of the flats are privately owned, as is evident from the number listed for sale. On the left is the Atlas Building, on City … Continue reading “Godfrey House and the Atlas Building”
Today was a glorious sunny day. I walked out into the sun and everywhere was worthy of a sketch. Here is 88 Golden Lane, a strange thin building. It is an architects’ practice: Blair Architecture. I sketched this standing on the side of the road in the sun, then retreated to sit on my case … Continue reading “88 Golden Lane”
This drawing is 25cm by 16cm, 10 inches by 6½ inches on Arches 300gsm watercolour paper. It took 1½ hours. I did a preliminary sketch first, shown in the work-in-progress photos below. The colours are Fired Gold Ochre, Phthalo Turquoise, Transparent Pyrrol Orange, and Mars Yellow, watercolours over De Atramentis document black ink.
I have drawn the Golden Lane Estate before. Here is a selection of drawings in this area:
The National Theatre is on the South Bank of the Thames. Here is a view, looking East from Waterloo Bridge.
As you see, there are gates across the walkway. The Theatre is closed, and the walkways are closed.
My drawing shows the empty theatre, and the empty walkways. The theatre restaurant, which is on the left of the drawing, is also closed and empty.
The walkways, in true 1960s style, are at “podium” level, above the traffic. Below me as a drew, people walked and cycled, and traffic passed on the nearby road, Upper Ground. Grass and buddleia grow in the cracks. Life continues, but at a different level.
This drawing is 25cm by 16cm, 10 inches by 6½ inches on Arches 300gsm watercolour paper. It took 1½ hours. I did a preliminary sketch first, shown in the work-in-progress photos below. The colours are Buff Titanium, Neutral Tint, and Lunar Earth, all Daniel Smith watercolours, over De Atramentis document black ink.
On a glorious sunny Sunday, the sun lit up the roof of the Welsh Church.
This is the view from the Golden Lane Estate. Here is a map, and an annotated image to show which building is which. The arrow on the map shows the direction I was looking.
I was sitting next to a beech tree, Fagus Sylvatica Dawyck. A small notice at the base of the tree informed me that it has been planted on the 9th December 1989, to commemorate 800 years of the Lord Mayoralty. By co-incidence, this is the same anniversary that was commemorated by the bollard in my previous post. Here is a picture of the planting ceremony, kindly provided by Billy Mann from his Golden Lane Archive.
The tree has grown strongly in the last 30 years. It surges out of its metal hoops, and pushes the notice aside.
The Golden Lane Estate is a busy place. Many people passed by on the nearby paths. The tree and I were on a raised area, above parked cars. Some people were on foot, one was in a wheelchair, and there were several groups of cyclists. One person had a dog. This was a small dog, the same size as my sketchbook. I can say that with certainty, because, while the person was occupied on their mobile phone, the dog dashed onto my dais and plonked itself foursquare on my sketchbook. What to do?
I must have shouted out, because the person looked up briefly from their phone. I glared at the person, and shooed the dog away. The person uttered a perfunctory ‘sorry’ and continued their conversation. “No, no, it’s alright,” they said into the phone, “it’s just that Tabatha…”. They didn’t ask me if it was alright. I looked down at my drawing. It was alright.
I have drawn this church before. It was built in the 1960s. More information about this interesting building is on my previous posts:
The building which was Bernard Morgan House has now been pulled down. This is sad. It had a calm 1960s look, and ceramic tiles on the side. I looked across the gap and could see the Welsh Church: Eglwys Jewin. The church is the building with the green roofed turret and the long windows. It … Continue reading “Eglwys Jewin from Fortune Park”
Here is the Welsh Jewin Church seen from Brackley Street. This is one of those ephemeral views: a huge new building is about to go up behind the hoarding, and this view will be completely obscured. The church is Eglwys Jewin, the Welsh Church. I have drawn it before, from Fortune Park. Here’s the link … Continue reading “Welsh Church and Great Arthur House”
This drawing took two hours. It is 25cm by 16cm, 10 inches by 6½ inches on Arches 300gsm watercolour paper. The main colours are Fired Gold Ochre, Mars Yellow, Phthalo Turquoise, and Perylene Maroon, with some Prussian Blue for the shadows.
Here is a view of the pub “The Old Red Cow”, seen from Cloth Fair.
The front of the pub is on Long Lane. When CrossRail opens, it will be very well placed to serve the people flooding out of the new “Farringdon East” station. At the moment, however, it’s closed due to the COVID pandemic.
In Cloth Fair in this area there is a particularly varied collection of bollards. One celebrates 800 years of the Lord Mayor: 1189-1989.
Here are some photos of work in progress and a picture of the bollard.
One hour and 20 minutes, drawn and coloured outside the “Hand and Shears”.
Cloth Fair is a small street near Smithfield, EC1.
Just South of Cloth Fair is the ancient church of St Bartholomew the Great. I sketched this church from Bartholomew Passage, shown on the map above. Later in the week, I sketched it from the South West side.
St Bartholomew the Great is an ancient church, founded 1123, along with the nearby hospital of St Bartholomew, now called Barts Health NHS Trust.
There is a labyrinth of alleys in this area. As I was sketching in Bartholomew Alley, a woman reached the North end of the Alley, staring at her phone. She rotated through 36o degrees, still looking at the phone. Anxious and frustrated, she rushed along Bartholomew Alley, passed me and stopped. Her plight was so desperate that she was going to abandon the instructions of the phone, and ask a stranger for directions. She asked me if this was the right way for the hospital. I said that it was, but it was complicated that way. “If you are in a hurry,” I said, “you’d best go back the way you came…”. She was in a hurry. She uttered an expletive, and set off in the direction I’d indicated.
Then she remembered her manners and paused, turned to face me, and said “Thank you for the information”.
Here are some maps of the new “Barts Square” development, showing the location of the second sketch.
I have sketched often in this area, which is changing rapidly. I am still learning my way around. Here are some of my sketches round here.
Today I went to try out “Halfcup”, a new coffee place which has opened on Bartholomew Close. It’s part of the new “Barts Square” development. These are new buildings in an area that was previously St Bartholomew’s Hospital. Some of the external features of the original hospital buildings have kept, as you see in the … Continue reading “Barts Square, West side”
Continuing my exploration of Barts Square, EC1, today I drew Butchers’ Hall. Butchers’ Hall is the building with the arched windows, in the centre left of the picture. It is the headquarters of The Worshipful Company of Butchers. This livery company is very old, the Arms were granted in 1540 and the charter by James … Continue reading “Barts Square, Butchers’ Hall”
Wren Coffee has re-opened! This is a marvellous coffee shop in the Church of St Nicholas Cole Abbey, on Queen Victoria St.
I went there and sat on the raised terrace, sketching the view Northwards towards St Paul’s Cathedral.
The grey building in the foreground is a nightclub. It has dark windows, and a barred loading bay.
Raised voices from the table behind me grabbed my attention as I sketched. High drama was in progress. One of them defended himself in a loud voice, “The money is real money, and it’s still there. Trust me on this!”.
When someone declares “Trust me on this!” all sorts of red and amber alert lights come on in my head. Was the money still there? Did I trust him on this? I thought not. The other two men were not convinced either.
I kept my gaze firmly forwards, towards the view I was sketching. I did not observe the participants in this conversation, I did not join the debate. I cannot even be sure there were three men rather than two. Certainly at least three points of view were expressed. It was hard to follow the conversation, especially for someone trying to concentrate on tone differences, perspective lines and the symmetry of domes. And not all of the conversation was conducted in the strident tones of the accused party.
Here are some photos of work-in-progress on the sketch, and a picture of the beautifully crafted capaccino made by the server at Wren Coffee.
I am sketching the views out of the window. Just visible over the top of Bastion House is the top of “OneBlackfriars”. In the foreground: Mountjoy House, Barbican, on the right. Along the bottom is the Barbican Highwalk which joins Mountjoy House and Wallside. I have drawn Bastion House before: This drawing took rather a … Continue reading “St Pauls and Bastion House”
I was keen to draw this view of St Paul’s before it vanished behind the new building on 2-4 Cannon Street. “PLP’s scheme, for global property firm Pembroke Real Estate, will replace a 1959 modernist office building by Theo Birks called Scandinavian House. The north facade, facing the cathedral, is the most orthogonally formal, with red … Continue reading “From Old Fish Street Hill EC4”