Monoprints, the City (2)

I made some more monoprints this week at East London Printmakers.

These were made using the technique demonstrated by Fiona Fouhy, which I learned on a course in September. See this post.

Here are city views.

These are made by a “reduction process”. Each is a unique print (for sale!).

Here are some snapshots from the process.

Here are some “outtakes”: prints produced during the process. All are on cotton rag paper except one which is on newsprint.

Monoprints: the City (1)

I have long admired the work of Fiona Fouhy. Fiona makes monoprints of forests and landscapes, with amazing depth and atmospheric effects. My idea was to try to get those effects in urban landscapes. So when East London Printmakers announced that Fiona would be running a workshop, I signed up immediately. That was in January 2020. The course was in February and was of course postponed. It took place in August. Here is some of my work from that day.

Here is the city.

The City (1), Monoprint

Here’s another attempt. This time I made sloping roofs. I quite like the “snow” effect, representing a view through a dirty window, or pollution in the atmosphere.

The City (2), Monoprint

Here are two prints on newsprint, made as part of the process.

As you see, every print is different, but they are related.

Apart from the out-takes on newsprint, these are all monoprints on Fabriano printing paper, 20x24cm. All are for sale.

Online Life drawing – Andrea

Yesterday I participated in another online life drawing session with London Drawing. The model was Andrea: @andrea.morani_lifemodel on Instagram. Andrea was in his studio in Italy. The 200 or so people drawing him were distributed across the world.

More online Life Drawing sessions:

Online life drawing – Laetitia

Here are some monoprint sketches of Laetitia, a ballerina with the Opera de Paris. This was a life drawing session , 9th May 2020, organised by @londondrawing. 200 people took part, from all over the world.

Iris: monoprints

My neighbour sent me a video of an iris he is cultivating on his balcony. It is a very special iris, a Benton Deirdre. He describes it as “bred by artist and plantsman Sir Cedric Morris in 1945. Rose pink standards and ivory falls with lilac red margins.”

It is special also because it managed to bloom on the windy balcony high up on this tower block. He posted pictures on instagram, and then at my request, sent more pictures which I used as inspiration for a number of pictures. Here are some monoprints I made this morning.

Online Life Drawing – David Wan

London Drawing (@LondonDrawing) organised another online life drawing session, this time with the model David Wan (@DavidWanLondon).

These pictures are monoprints, made by drawing or pressing on the paper which is placed on top of an inky sheet. What you see is the reverse of the sketch. The places where I pressed took up the ink. It’s like drawing or pressing on top of carbon paper, if you remember carbon paper. I like the technique because I can’t see what I’m drawing, so the lines tend to be more free, and I worry less about “getting it right”. The dark patches are made by pressing in the paper with fingers or an object, so it’s possible to get very dark tones quickly, which I like. It’s also a bit unpredictable, at least for a beginner like me, I have, so that the picture is a bit of a surprise. It helps that the picture is a mirror image, so when it appears, it’s different from what I drew.

If you’d like to see examples of a master of this technique, see the website or instagram account of John Carbery, @johncarbery.

Online life drawing – Adrian

“London Drawing” run Life Drawing sessions in libraries and various other locations in London. Right now, they can’t. So in an imaginative and entrepreneurial move, they are running life drawing session online. Yesterday I mastered the technology and had a go.

Here’s the result. The model is Adrian (@modbodadrian).

How is drawing a life model online different from just copying a photo?

Well, there’s the time factor. The model can only hold the pose for a limited time, and so I have to draw quickly. The shortest pose was 2 minutes and the longest about 20 mins.

Then there’s the fact that the model is making an effort: he’s there and he’s doing his best to create a striking pose and keep still. So I want to honour his effort and do my best also. That creates a useful dynamic to concentrate.

And there’s the fact that each of these pictures records a moment in time: the person was there, in their space, and the rest of us were dispersed about the country (and some in the USA!) all drawing the same model at the same time. So this is my record of the event.

It was a good experience and I am grateful to London Drawing for organising this and to the model for his good humour, experience and professionalism.

The session was conducted over “Zoom”, with about 20 people drawing, and two online organisers and the model.

Life drawing – Paul, Sisetta

Here are some experimental monoprints I made using the technique demonstrated by John Carbery:

I am still experimenting with this technique.

Monoprints: Braithwaite House

Here are some prints from last week’s session at East London Printmakers.

This was an experiment using drypoint on transparent acrylic plates.

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Braithwaite House and Chequer Court, monoprint

 

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Braithwaite House and Chequer Court, monoprint

These pictures are done with two plates.

(1) Dry point to make the black lines.

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The acrylic plate used for printing, marks scratched with a metal point – “drypoint”

(2) Painting directly onto a blank acrylic plate and then printing that on top.

The resulting pictures are “mono prints” because they are one-off. I can reproduce the black lines, but the coloured parts are unique on each plate.

I had another go on 8th March.

Here are further attempts:

Update:

Here’s a one-colour mono print I did 15th November 2018. It was done all on one plate.

On Khadi handmade paper, with Intaglio Printmaker Bone Black ink. Plate selectively wiped.