The Admiral Ashmore building

Here is a sketch from Preacher’s Court, Charterhouse.

I did it just after “The Well House” sketch.

3 Nov 2016 (2)

I liked the three ages of buildings: the 16th and 17th Century Hall on the left, the Admiral Ashmore Building (2000) and the 1970s office blocks and flats behind, with scrappy enhancements, probably 21st Century.

I got very cold.

A brother came by and told me he was the oldest, at 88. He was going to lead Grace at lunch. Everyone would have to stand up. It was like being at school. “I have the mind of a 15-year-old boy,” he informed me, “You had better watch out!”

The Well House,  Charterhouse 

Here is one of my favourite views in The Charterhouse. That curling support for the guttering (top left) is characteristic: details that delight the eye.

 

I drew this standing in the roadway. The suppliers and drivers coming and going were very gracious.

Barbican towers are just visible over the autumn trees.

Here’s what it looked like before the colour:

3 Nov 2016 (1 - outline only)

St Edwards Passage Cambridge

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A quick sketch on a cold day. 45 minutes, standing outside the “Indigo Coffee House”. Nearby, bicycles were parked on the fence surrounding the church of St Edward, King and Martyr.

I wanted to catch the bright sunlight in Kings Parade, seen from the relative darkness of St Edwards Passage.

The Charterhouse, Chapel roof

This is my first sketch at The Charterhouse, as a guest of the Preacher, Reverend Robin Isherwood.

The building on the right is the Great Hall, Tudor, around 1600. Beyond it is a Barbican tower, 1970s.
The small dome is the roof of the Chapel of The Charterhouse, 17th Century, by Francis Carter. According to Pevsner*, Francis Carter had “previously worked at Trinity College Cambridge, and from 1614 was chief clerk of the King’s Works under Inigo Jones.”

*The Buildings of England, LONDON 4: NORTH, Bridget Cherry and Nicolas Pevsner, page 619

Collage Postcards: archive

Here are some of the collage postcards I have made.

The constraints I set myself are:

  • the postcard must go in the post by itself: no envelope
  • it is made of found objects in the location where I make it
  • it tells a story or makes a comment on the location

If possible I also make it interactive: it has moving parts, or a part that must be removed by the recipient.

This work is inspired by the work of Martin Hicklin.