140 London Wall is a local landmark under threat.
It was designed by Powell and Moya, and constructed in 1972-76, as part of a 1947 grand plan* for development of the area north of Bank.
In my sketch I wanted to show the great mass of this huge rectangular building, so confident, and the way it shelters the activity below.
This sketch took about 1hour 30mins.
Then I walked into the picture, and found a stunning view across the old buildings in the Barber-Surgeons garden. This is a 5 minute sketch, coloured later.
*Grand plan: the 1947 Town Planning Committee publication, “The City of London; A Record of Destruction and Survival” by C. Holden and W.G. Holford.
For previous sketches of 140 London Wall (aka Bastion House) see
Bastion House from Podium Level
Here are etchings based on a drawing I did from outside Godfrey House, in the St Luke’s estate, Bath St, EC1V.
This one is done in the new brown ink I bought: “Terre d’Ombre Brulée”
This is aquatint.
Here’s what the hard ground etch was like, before the aquatint.
Here’s the work in progress:
Painting the stop-out varnish on the aquatint plate
before the final dip in acid
My work area at East London Printmakers
Helen went off to take a conference call, and I drew the Cathedral.
This was a quick sketch, pen and wash, about 40 minutes.
While I drew this, a brass band was practising in the nearby boys’ school. They were playing “Annie Laurie”.
This cathedral is impressively enormous. The Tower is Norman: built 1077 – 1093. The nave is hugely long, but inside it is divided by screens, so you can’t see all the way along, which is what I wanted to do.
It has been snowing now for several days. Robin invited me to sketch The Charterhouse in the snow, and suggested a viewpoint from the second floor of the Infirmary.
From here I could see all three of the Barbican Towers. Someone was clearing snow in the foreground, but they moved on before I could get them in the picture.
It was a good place to sketch, warm and quiet. I could hear the muffled sounds of the nurses moving about below, and of the Brothers who were in the infirmary. Sometimes they called out.
Here is what the picture looked like before the colour went on.
This picture took about 2 hours: One hour for the pencil outline, half an hour for the pen, and half an hour for the colour – roughly. It took ages to get the proportions right. Especially in the snow, the eye sees detail in far-away objects, so the temptation is to draw them too big.
After I handed in my visitor’s badge at the gate, I went out into Charterhouse Square. I looked back at the Chapel. And did a quick pen sketch, standing in the snow.
This took about 10 minutes, coloured later on my desk at home.
Thank you to Robin, and to the Brothers, Master and staff at the Charterhouse for their hospitality.
From the window of the B&B we saw the snow storm come from the East.
I drew a picture from indoors on the 5th floor of the Baltic Art building.
On the horizon is Bewick Court, 21 storeys, 133 flats, 1969-71, renovated 2002, managed by “Places for People”.
The building with the clock tower is Keelmans Hospital 1701-4. It was paid for by levying a penny a tide on the keelsmen who carried goods between large ships and the shore – in boats called keels. This information from the Pevsner guide to Newcastle and Gateshead.
On the right the building has “Co-operative Society” written on it in huge confident letters. It is now a Malmaison Hotel. Next to that, the building with the curved roof is “Sandgate House 102 Quayside”, offices of “ward hadaway law firm”.
The 4 turrets, towards the left, are Walknoll Tower, a 1716 Town Hall and gate tower.
Right in the middle of all this is a burnt-out house, with dilapidated outbuildings. We walked past it on the way to the Baltic from Manors Metro station. Newcastle is a town of mixtures and many mysteries.
Here is a very modern-looking mug, that was made two and a half thousand years ago. It was in the Hancock Museum, now called the Great North Museum:Hancock.
Here are some sketches from the train journey back through snow.
This is a drawing from outside Godfrey House in Islington. Godfrey House was built in the 1960s, as part of the St Luke’s Estate. Drawn and coloured on location, about 45 minutes. It was very cold and windy.
The pointed building is “M by Montcalm” on the City Road. It is a hotel finished in 2015. On the left is Eagle Point, a recent residential development by Terry Farrell & Partners.
M by Montcalm is exceptionally hard to draw. It has no right angles. Also its outside is a strange irregular diagonal tessellation. I have tried hard to capture the ” triple glazed skin enlivened with differing patterns of transparency, opacity and solidity to convey diagonal slopes breaking across an underlying vertical structure.” [Squire and Partners website]
The traditional building in front of it, on Peerless Street, provides a reassuring brick-built contrast.
Here is what the Squire and Partners website says about M by Montcalm.
“Squire and Partners’ concept for the M by Montcalm hotel in Shoreditch was delivered in collaboration with Executive Architects 5 Plus, and completed in summer 2015. The site – opposite Moorfields Eye Hospital on City Road – provided inspiration for a striking facade which expresses the idea of the optical and the visual.
Responding to the Moorfields Eye Hospital opposite, and taking inspiration from the 1980′s artworks of Bridget Riley, the facade is expressed as a triple glazed skin enlivened with differing patterns of transparency, opacity and solidity to convey diagonal slopes breaking across an underlying vertical structure.
Manipulation and modulation of light, both internally and externally, give the facade richness and an ever-changing face on this prominent site, as well as assisting solar performance to create a sustainable development. The conjunction of the vertical and the diagonal create a visual effect of depth and movement, and express the activities taking place within the building. At the upper levels the facade openings become larger to express the more social uses and exploit the panoramic views.
At ground and lower ground floors, the building skin ‘lifts’ on the diagonal to reveal the hotel lobby, public bar and restaurant, all clearly visible.”
[Squire and Partners website]
This is the church.
Drawn and coloured on location, about 1 degree C. That’s snow in the foreground.
Then later, it was colder.
Hotel de France, drawn from the street, at minus 6 degrees C. This took two attempts. I had to retreat to the hotel after about 10 minutes to warm up, then I went out again and finished the picture. Colour completed in the hotel restaurant.
Here are some other sketches from the trip.
Absinthe in the Hotel de France
View from the breakfast room – a postcard, photographed after it’s been through the post.
Window in the house opposite the train station
People waiting at Geneva airport
I have drawn at Sainte-Croix before:
View from a Swiss Hotel
Some sketches of hotel tableware
Snow in Sainte-Croix