Three Etchings

Three etchings made today at a course at East London Printmakers.
The ones of the men and the landscape are made with “soft ground”. The ‘Bread and wine’ was a line drawing etched using hard ground, and then the patterns went on in soft ground in two later dips.
Leader of the course: Ann Norfield

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Urban discussion

On 23rd Nov I added more soft ground into the top windows. 

Snow in Sainte-Croix

Snowfield behind the church. Painted with melted snow as I forgot to bring water. All done standing up as everything was wet and cold. Snow blew from the roof of the church and fell on the picture.

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The Temple of Sainte-Croix, Protestant Church. Constructed 1747 on the ruins of a previous building destroyed by fire in 1744. Drawn on location and coloured at the Hotel de France. About 20 min to draw, standing in the road.

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The Admiral Ashmore building

Here is a sketch from Preacher’s Court, Charterhouse.

I did it just after “The Well House” sketch.

3 Nov 2016 (2)

I liked the three ages of buildings: the 16th and 17th Century Hall on the left, the Admiral Ashmore Building (2000) and the 1970s office blocks and flats behind, with scrappy enhancements, probably 21st Century.

I got very cold.

A brother came by and told me he was the oldest, at 88. He was going to lead Grace at lunch. Everyone would have to stand up. It was like being at school. “I have the mind of a 15-year-old boy,” he informed me, “You had better watch out!”

The Well House,  Charterhouse 

Here is one of my favourite views in The Charterhouse. That curling support for the guttering (top left) is characteristic: details that delight the eye.

 

I drew this standing in the roadway. The suppliers and drivers coming and going were very gracious.

Barbican towers are just visible over the autumn trees.

Here’s what it looked like before the colour:

3 Nov 2016 (1 - outline only)

St Edwards Passage Cambridge

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A quick sketch on a cold day. 45 minutes, standing outside the “Indigo Coffee House”. Nearby, bicycles were parked on the fence surrounding the church of St Edward, King and Martyr.

I wanted to catch the bright sunlight in Kings Parade, seen from the relative darkness of St Edwards Passage.