Here is a gallery of prints I made yesterday, experimenting with a technique called “Chine Collé” – thin paper glued. The idea is to introduce colour, by using a thin piece of paper which is sandwiched between the printing paper (white) and the inked copper plate.
This was a workshop led by Damien Grist at East London Printmakers. I used plates I’d made previously.
My favourite print is this one, based on my “Towers East” plate:
Here are other examples. Each print is unique.
Here’s what I learned:
- The glue that’s used to fasten the thin paper is wallpaper paste. This is wet, and allows the thin paper to shrink as the assembly dries. It also contains fungicides. Traditionally, Japanese printmakers use rice glue.
- The thin paper doesn’t take the ink as well as the white print paper. So sometimes the image is disrupted.
- This is a fast technique for adding colour. And it’s fun: the result is a bit of a surprise.
- Japanese printmakers use “Gampi” paper for Chine Collé. Tissue paper is an alternative. Newsprint works quite well, and also takes the black ink well.