Colechurch House – monoprint

Colechurch House on the South Bank is a brutalist office block. It makes a good subject for a packaging print. Since it is a a 1960s block, I added a 1960s type shape in chine collé.

Colechurch House – monoprint and chine collé, paper size,15″ x 12″ Shoji Baku Japanese Paper

The chine collé paper is Khadi Lokta Coloured saffron washi paper from Atlantis Art (ref: KPNI SA). The background paper for this print is Shoji Baku paper from Shepherds Bookbinders (ref: LRG 1859). The ink is Charbonnel traditional etching ink. I printed this on the Henderson Press at East London Printmakers. Here is a video of the “print reveal” (17seconds, silent):

Thanks to Evonne at East London Printmakers for filming me!

Here are the other 4 prints from this plate. They are all on a different, but similar paper: Tosa Washi from Shepherds, (ref: J632180)

The print was based on a sketch of Colechurch House last year. See this post:

Colechurch House, London Bridge SE1

Aficionados of 20th Century brutalist architecture need to hasten to appreciate Colechurch House. It is due for demolition and redevelopment. This month’s post in the marvellous “London Inheritance” site informed me about the planning application, so I rushed over there to draw a picture before the building became swathed in plastic. I drew this picture looking over the railings from London Bridge. This position commanded an excellent view of Colechurch House, but … Continue reading “Colechurch House, London Bridge SE1”

Here are more examples of the technique using a plate made from packaging material. I have written about the process here.

St Mary Le Bow

A quick sketch of St Mary Le Bow on Cheapside, London EC2

St Mary Le Bow, from Cheapside 23 Feb 2022 10″ x 7″ in Sketchbook 11

I drew this from the corner of Cheapside and King Street. This seemed like a really good place to stand, since there was a tall junction box next to me, and I could fit myself into a corner of a window. It rapidly became apparent that I chosen the windiest corner in London. My eyes streamed. Everyone coming round the corner took a short cut my side of the junction box, and funnelled past me, their heads down, phones in hand. I felt in the way.

But I persisted. I finished the pen. I did not put the colour on using the convenient top of the junction box, as I had planned, since no paper was going to stay still for a moment in that wind. I retreated, and coloured it at my desk.

The Museum of London EC2

From the highwalk on the Rotunda there is a really amazing view of the Museum of London and Bastion House. This whole view going to change radically, if the City of London plans are approved.

Museum of London from the Rotunda, 15″ x 8.5″ on Arches watercolour paper

The Museum of London is in the South West corner of the Barbican. It was designed by Philip Powell and Hidalgo Moya.

The Museum opened in 1976. The City of London plan to close it in December this year (2022), and then to demolish it, along with the surrounding highwalks and pedestrian bridges over London Wall.

The dark-coloured block in the background on the right is Bastion House. This 17 storey tower block was built to the designs of architects Powell & Moya between 1972 and 1977 as part of the Barbican development. It is on top of part of the Museum of London’s display space.

The City of London now plan to demolish it.

So if the plans go ahead, this view will no longer exist. I rushed to sketch it.

This drawing is in an aspect ratio new to me: 15″ x 8.5″ or 38cm x 22cm. I wanted to get the whole of the front of the museum in the picture.

Here is comparison of the pen and ink and the the colour versions:

With and without colour

The City of London plans for the replacement buildings are on this site: https://londonwallwest.co.uk/

Residents are organising their response via the Barbican Association and this site: https://www.londonwallbest.com/

Philip Powell and Geoffry Powell

The architecture practice which designed The Barbican is “Chamberlain, Powell and Bon”. This “Powell” is Geoffrey Powell and not the Philip Powell of the Museum of London. The architects involved in designing the Barbican were: Geoffry Powell, Peter “Joe” Chamberlin, Christoph Bon, and Charles Greenberg.

The architects who designed the Museum of London and Bastion House are Philip Powell and Hidalgo Moya of the architecture practice “Powell and Moya”.

Thank you to the reader who clarified this for me.

39 Clerkenwell Road, EC1

Here is a row of shops on the Clerkenwell Road.

Roni’s Café, 39 Clerkenwell Road, 15th Feb 2022, 10″ x 8″ in Sketchbook 11

In the centre of the picture is Roni’s Café, where I sheltered to finish my drawing of 84 Clerkenwell Road.

My idea was to draw the view looking West along the Clerkenwell Road, from number 84. By the time I reached the spot, the rain was falling heavily. I spotted a large window. The people inside kindly agreed to host me for 45 minutes while I sketched my lines. Then I went out into the rain. I finished the picture at my desk.

Colours are: Ultramarine Blue, Burnt Umber, Transparent Pyrrol Orange.

London Television Centre – monoprint

Here’s another “packaging” monoprint. This was made using an empty box of tissues.

London Television Centre, monoprint from packaging, image size 14″ x 10″ [Available]

This is a tower block on the South bank of the river Thames, seen from the North bank. That’s the river in the foreground.

Here is the “plate”, before printing:

I have sketched this tower block here:

It’s due for demolition. So using discarded packaging to make an image of this building seemed to be appropriate. The building, though made of concrete and steel, is yet ephemeral, like my fragile plate.

I made the print on “Gampi smooth” paper from Shepherds of London. This handmade paper is thin, translucent, and has small inclusions and imperfections as you see on this detail photo:

The sky in this part of London is never empty. There are always seagulls, falling leaves, windswept paper, aeroplanes, police helicopters. And rain.

The ink for this print is Charbonnel F66 Black traditional etching ink from Intaglio Printmakers. I made the print at East London Printmakers on the Henderson etching press.

London Weekend Television, London South Bank. Paper is a bit over A3 size.

Here are some other prints made using the same technique:

Packaging monoprints

Anchor Brewhouse, Horselydown Old Stairs, SE1

I am trying an experimental monoprint technique. The idea is to use packaging material to make intaglio “plates” which are then printed using an etching press. This is the first one. I printed it yesterday on the Henderson Press at East London Printmakers.

Anchor Brewhouse and Horselydown Old Steps, Monoprint. Image size 10″ x 6″

This is a real building, a former brewery, just to the South and East of Tower Bridge. That’s the river Thames you see on the left of the picture.

The “plates” are fragile, so I could only make 6 prints before the plate started deteriorating and the contrast started to go. Here is a picture of the plate, front and back. It is made out of a box of soup. I made the picture on the shiny, metallic-looking side, which is the former inside of the soup box.

The parts which print dark are made by cutting out the metallic coating of the soup box, leaving the rough cardboard underneath. I painted the plate with button varnish (shellac in alcohol) to make it a bit stiffer and more durable. Here’s what the plate looked like before printing:

Plate before printing, with annotations

Here is one of the prints peeling off the plate:

I tried making a video, but it was too difficult to hold the plate, the paper and the phone all at once. And there’s ink everywhere which I was trying to avoid getting on my phone. Next time I’ll see if I can get a fellow printmaker to hold the phone.

Ink: “JS”carbon black

The ink is traditional black etching ink from Intaglio Printmaker in Southwark. The paper is Zhao Zhe Chinese paper ref 11369 from Great Art on the Kingsland Road. The red seal on the finished print is made with a Japanese stone seal with red ink gifted to me by my friend and mentor Katsuhisa Toda 戸田勝久.

This printmaking technique is inspired by the work of Karen Wicks, @iacartroom on instagram.

The wonderful London Inheritance site has more about Horselydown steps here: https://alondoninheritance.com/the-thames/horselydown-old-stairs/

Langton Arms, Norman St, EC1

In the late afternoon, I walked round a corner near St Luke’s, and noticed the pub sign.

Langton Arms, Norman Street, EC1 sketched 29 Jan 2022, 4:15pm, in Sketchbook 11

The pub closed sometime around 1989, according to https://pubwiki.co.uk. It is now residential flats.

The pub was in existence in 1842, according to “closedpubs.co.uk”. There was a nearby Langton Street, shown on a map from the British Library dated 1901. The Langton Arms is marked “PH”.

1901 map. Langton Arms circled. Insurance Plan of London North District Vol. D: sheet 17 (British Library) Shelf mark: Maps 145.b.23.(.d)

See how dense the housing was in this area in 1901. Here is the same area today. Langton Street has disappeared.

Norman Street area, 2022 (c) Open StreetMap, Langton Arms circled
Pub sign today

I sketched the closed-down pub at around 4:30pm, as the light faded. The pub sign is still there, but eaten away at the lower edge now. The street sign “Norman Street” is the same one as shown in a photo from 1958. It has “Borough of Finsbury” written above the street name. The Borough of Finsbury was absorbed into Islington in 1965.

This picture is a story of vanishing: vanishing street, eaten away pub sign, closed down pub, a missing borough, sun setting in January. Behind me as I sketched I could hear the squeak of gym shoes on hard floors, the other side of the closed steel doors to Finsbury Leisure Centre.

St Monica’s Church, Hoxton N1

On a cold day, suddenly the sun came out and lit up the stone of St Monica’s Church.

Bell tower of St Monica’s Church, Hoxton Square. 26th January 2022, 13:40 in Sketchbook 11

This church was built in 1866, to the design of E.W. Pugin. It was part of the Augustinian Priory on this side of Hoxton Square.

E.W. Pugin (1834-75) is the son of A.W. Pugin, who collaborated with Charles Barry on the design of the Houses of Parliament. E.W. Pugin designed a large number of churches, 60 English churches are listed in his Wikipedia entry, with another 6 or so in Wales and Scotland and 16 in Ireland.

84 Clerkenwell Road, EC1

This building is at the junction of Clerkenwell Road and Albermarle Way.

84 Clerkenwell Road, EC1M, 21st January 2022, 14:30, 7″x 10″ in Sketchbook 11

The land, on the recently established Clerkenwell Road, was bought in 1879 by a jeweller, Edward Culver, who funded a new factory for his business on in this rapidly developing area. The building cost £11,ooo, and was finished in October 1879. His business occupied it until about 1894. (from British History online, see Note 1)

In 1915, the ground floor and basement were converted for use by the “London County & Westminster Bank” (Note 1). This turned out to be a long tenancy. A photo in the London Picture Archives shows that a descendant of the same bank, the National Westminster Bank, was there in 1976. (Notes 2 and 3).

The ground floor is now a design company, “Frem”. Before that, it was a hairdressers. The building is labelled “The Printworks” but I am unable to discover when, or indeed if, it was a printworks.

I sketched the building from the corner of the Clerkenwell Road and St John’s Lane. On the other side of the road, I saw a man come and lay out a large flexible chess mat on the stone bench in St John’s Square.

Later, a woman appeared at my elbow carrying a green metal chair. “Would you like to sit down while you draw?” she asked. I would indeed. She told me she was from the café just up the road. Very grateful, I sat down and continued sketching. By the time I’d finished the pen sketch, there were several dozen people clustered round the bench in St John’s Square. There were now many chess sets laid out. And I was very cold.

Roni’s Cafe: warm and friendly

I picked up the green chair and went to the café to give it back. It was warm and friendly in there, so I stopped for a coffee. I learned that the chess players come every Saturday. First there were just a few, now there are dozens. The youngest is 7 years old. As I drank my coffee, some of the chess players came into the café, hopping from one leg to the other with the cold, as I had done earlier. They bought takeaway coffee or hot chocolate, left a phone to charge up by the till, and took off again to join the fray.

The friendly proprietor of the café admired my picture and pointed out that I could see the building, if I took a certain table by the window. “Then you can do the colour”, she said. I could. She brought a cup of water, a porcelain saucer, and a large amount of paper towel. This is a lady who knows what watercolour painters need. A mug of tea arrived as well. Comfortable and warm, I continued my sketch.

If some of these road names seem familiar to you, it might be because this area is the setting for much of the story in the novel “Troubled Blood” by Robert Galbraith aka JK Rowling.

————————————————————–

Note 1: 84 Clerkenwell Road, early history: ‘Clerkenwell Road’, in Survey of London: Volume 46, South and East Clerkenwell, ed. Philip Temple (London, 2008), pp. 385-406. British History Online http://www.british-history.ac.uk/survey-london/vol46/pp385-406 [accessed 22 January 2022].

Note 2: 1976 photo: London Picture Archive, Record 60792, on this link

Note 3: NatWest Group has an excellent History section on its website: https://www.natwestgroup.com/heritage.html?intcam=. The current “NatWest” is the result of the acquisition of over 250 banks over several centuries. The London County and Westminster Bank was one of them.

London & Westminster Bank Ltd (1833-1909) opened in 1834 with a head office at 38 Throgmorton Street and a branch at 9 Waterloo Place. It acquired a succession of other banks, then in 1909 it amalgamated with London & County Banking Co to form London County & Westminster Bank Ltd. London County and Westminster Bank underwent a number of amalgamations and mergers, notably merging with the National Provincial Bank in 1968 eventually to form the National Westminster Bank in 1970.

The Cottage, 3 Hayne Street EC1

Hayne Street is a North-South lane just to the East of the new Crossrail station at Smithfield. It has been closed for some time, while the station was built and the office block on top of the station was constructed.

On the west side of Hayne street is this house:

The Cottage, Hayne Street EC1, 17th January 2022, 5pm. 10″ x 7″ in Sketchbook 11

As I sketched, around 4:30 to 5pm, construction workers were coming off shift from the CrossRail site. They walked past me, lighting cigarettes, jostling, and talking in various languages. One person stopped to talk to me: “It’s a funny old building!” he observed. I agreed that it was, and wondered if anyone lived there. “I’ve not seen anyone go in or out,” he told me, “And I’ve been here four weeks.” Another person joined the conversation.

“I’ve seen a car,” said the newcomer. He indicated the black roller door, and made a sweeping gesture, showing how the car went in and out.

We all looked to see if there were lights in the windows at the side of the house. There were none. “It’s railway property,” declared the first person.

“It’s big, isn’t it?” said the second person, “It goes way back!”.

It does go way back. I’ve tried to show this in my drawing.

It’s a bit of a miracle that it has survived. This house is about 150 years old. There are jagged modern offices all around it. The Pevsner guide has a small paragraph on Hayne Street, in the section labelled “Long Lane and Hayne Street”. He says this:


Long Lane and Hayne Street
Long Lane first recorded in 1440[……]
The N side, shorter because of the market buildings at the W, is mostly undistinguished medium-sized post-war offices. Not 18-19 are by Morrison, Rose & Partners, 1972-4, brick with smoked gland window bands. The upper storeys step back down Hayne Street, named after its developer in the early 1870s. Of this date the unpretentious brick warehouse at Nos. 8-10 W side and No. 3 opposite, a little house perched on the brink of the railway cutting.”

The Buildings of England London 1: The City of London by Simon Bradley and Nicolaus Pevsner (first published 1997, republished with corrections 1999) page 546

The “unpretentious brick warehouse” which was on the west side of Hayne Street in 1999 has now been replaced by the building above CrossRail. The “little house” remains.

It was there in 1873. At that time it had neighbours! See this map, from the marvellous British History online resource.

‘Charterhouse Square area: Introduction; Charterhouse Square’, in Survey of London: Volume 46, South and East Clerkenwell, ed. Philip Temple (London, 2008), pp. 242-265. British History Online http://www.british-history.ac.uk/survey-london/vol46/pp242-265 [accessed 17 January 2022].

Aldersgate Street Station is now Barbican Station. See the huge number of railway lines in 1873. Today there is just one line on the surface. The new CrossRail line is 40metres below.

Here is a modern map of the area:

Hayne Street Area 2022, from Open Street Map, (c)OpenStreetMap contributors

Here are some views looking up and down Hayne Street, and my sketch map and sketching location. Click to enlarge.

3 Hayne Street has intrigued people. Mr Tim Dunn on Twitter found an “environmental statement” from Crossrail saying they were going to demolish the building. But it doesn’t seem to have happened, so far…..Mr Dunn’s research also contradicts the construction worker’s assertion that the building is “railway property”. From what he’s found, it’s privately owned. Here is his Tweet thread:

@MrTimDunn on Twitter, August 8th 2021

“LookUpLondon”, aka Katie Wignall, a tour guide, published an article about it on November 22nd 2021, here: https://lookup.london/cottage-3-hayne-street/

“The City Gent” published photos of The Cottage in his “Symbols and Secrets” blog on the 6th of January.

I’m glad so many people appreciate this strange building in a back street.

I have sketched in this area before. The building in the back left of my picture is on the other side of the railway line. It is now swathed in plastic and being restored or redeveloped. I sketched the West edge of this buildings in April last year.

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