I sketched this from the outside tables at 88 Wood Street. A small coffee shop run by Dartbrooke Coffee has opened in this office block. The coffee was superb, the welcome warm, and they had a selection of food. Also they had tables both indoors and out. Here’s the view from an outdoor table overlooking London Wall.
Bastion House EC2 from 88 Wood Street, 6th September 2022 in Sketchbook 12
I liked all the angles.
That’s rain you see in the sky. I had to pack up quickly as the rain came down.
Rain on the painting!
This picture took 1hour 10 minutes up to the point in the photo above when it started raining. Then another 20 minutes at my desk to finish off.
Here’s a map. The building on the left of my drawing is 200 Aldersgate, a huge office block.
Map showing where I was sketching and my viewpoint.
Bastion House is the monolith in the centre of the picture, with the Barbican Highwalks below leading to the Museum of London.
Bastion House, the Highwalks, and the Museum of London are all under threat of demolition by the City of London and replacement with three huge office blocks, overshadowing the Barbican. All the bridges will be removed, and all the highwalks in this area. This is not a good idea, in my view, and I support the residents’ call to the City to stop and think. Do we need yet more huge office blocks…really? Can we not refurbish the existing buildings, as has happened successfully to nearby blocks?
Earlier this month, I made a quick sketch of Bastion House, from London Wall. Here’s a map: The architect was Philip Powell of Powell and Moya. The building…
Bastion House aka 140 London Wall is a huge modernist monolith, reminiscent of the monolith in “2001 – A Space Odyssey”. I couldn’t find a site to draw…
I hastened to draw the magnificent Bastion House, on London Wall. It is due for demolition. In the foreground you see the balcony and privacy screen of the…
The Brunswick Centre, in Bloomsbury, London has been described as a “heroic prototype for a holistic community” [levittbernstein.co.uk]. There are 560 flats, a cinema, a medical centre and offices in a single development: hence “holistic”. It was radical in that it differs from the Georgian and Victorian houses all around.
Brunswick Centre, Bloomsbury, 13:50 9th August 2022, in Sketchbook 12
It was designed by Peter Hodgkinson during 1966-1970. The original plan was to extend the development all the way up to the Euston Road. There was a significant renovation in 2006 by the architects Levitt Bernstein. They made the shop fronts extend into the plaza in the middle, renovated the flats and added an “anchor supermarket” (Waitrose) at the northern end.
Where I did the drawing
I sketched the pen and ink on location, then repaired to the Store Street espresso on Tavistock Place to do the colour. There are very few colours in the picture: Buff Titanium, Ultramarine Blue, Burnt Umber and a tiny bit of Transparent Pyrrol Orange.
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Earlier this month, I made a quick sketch of Bastion House, from London Wall.
140 London Wall, Bastion House, sketched 2nd August 2022 from London Wall, in sketchbook 12
Here’s a map:
The architect was Philip Powell of Powell and Moya. The building was completed in 1976. I like this building. It reminds me of the “obelisk” in the film “2001 – A Space Odessey”.
The City of London have the idea that they are going to demolish this building, and the Museum of London next to it, and build three large office blocks: bigger and wider than the existing buildings, providing some 750sq ft of commercial office space.
This mystifies many of us, as we witness empty office blocks all around this location. It also angers us, as such huge buildings will take sun from the residential estate to the North. There seems to be a case for pausing the proposed project, and considering renovation of the existing buildings. Renovation would be better from a carbon emissions point of view, as demolition and construction are a large source of carbon dioxide emissions.
I hastened to draw the magnificent Bastion House, on London Wall. It is due for demolition. In the foreground you see the balcony and privacy screen of the flat in Andrewes, whose leaseholder had kindly hosted me. The line of red brick, and what looks like chimneys, in the foreground are the rooftops of a part of the Barbican, “The Postern”. Behind them is the Barber-Surgeons’ Hall on Monkwell Square,…
Bastion House aka 140 London Wall is a huge modernist monolith, reminiscent of the monolith in “2001 – A Space Odyssey”. I couldn’t find a site to draw the monolith part today, so here is a view at Podium Level, looking West towards the Museum of London. You see the dark undercroft, walkways and a road to a car park. Also you see the bridge that crosses London Wall. http://postwarbuildings.com…
I am sketching the views out of the window. Just visible over the top of Bastion House is the top of “OneBlackfriars”. In the foreground: Mountjoy House, Barbican, on the right. Along the bottom is the Barbican Highwalk which joins Mountjoy House and Wallside. I have drawn Bastion House before: This drawing took rather a long time as I stopped a couple of times. As a result, by the time…
Today Urban Sketchers London held a “sketch crawl” in the Barbican. So I joined them. An astonishing number and diversity of people assembled inside the entrance of the Barbican Centre at the appointed time of 11am. I counted about 35 and then another dozen or so joined. All shapes and sizes of people, tall, short, studious-looking or flamboyant, quiet or talkative, smart or windblown, old or young, all were there.…
From the highwalk on the Rotunda there is a really amazing view of the Museum of London and Bastion House. This whole view going to change radically, if the City of London plans are approved. The Museum of London is in the South West corner of the Barbican. It was designed by Philip Powell and Hidalgo Moya. The Museum opened in 1976. The City of London plan to close it…
Have you seen this amazing annex to the Theatre Royal in York?
Theatre Royal Extension, York. 28 July 2022 in sketchbook 12. 10″ x 7″
It’s a stunning addition to the Victorian theatre next door. The older part of the theatre, on the right of my drawing, is in the Gothic revival style around 1879, designed by the then city engineer G Styan. The modernist extension, whose amazing soaring shapes are on the left of my drawing, was designed by Patrick Gwynne and RA Sefton, in 1967. The whole thing has been redeveloped in 2016, retaining the external shapes. I love the courage of this modernist extension. It’s not far from the station. I sketched it waiting for the train.
The Theatre Royal (in red) is just a few hundred yards from the station.
Here is a 21st century housing estate in the area. It’s an interesting contrast to the Theatre Royal extension. In this case the architects made new buildings which look traditional on the outside. They even have chimney pots. Inside they have 21st century standards of insulation, heating and plumbing. The chimney pots are simply decorative.
21st century housing in Yorkshire, in sketchbook 12, July 2022
Here are some smaller sketches I made touring around:
New housingOld high streetIn the Hepworth Wakefield
The Hepworth Wakefield was a revelation: well worth a diversion. It’s a beautiful building itself, which I shall be sure to sketch when I visit again.
Yorkshire – halfway up the UK mainland.
I’ve sketched in York on a previous visit, see this post:
Here is the “Micklegate Bar”, which is one of the great gates through the old City wall into the centre of York. I sketched this outside a bar called “Micklegate Social”. The staff were inside, cleaning and setting up. They…
Colechurch House on the South Bank is a brutalist office block. It makes a good subject for a packaging print. Since it is a a 1960s block, I added a 1960s type shape in chine collé.
Colechurch House – monoprint and chine collé, paper size,15″ x 12″ Shoji Baku Japanese Paper
The chine collé paper is Khadi Lokta Coloured saffron washi paper from Atlantis Art (ref: KPNI SA). The background paper for this print is Shoji Baku paper from Shepherds Bookbinders (ref: LRG 1859). The ink is Charbonnel traditional etching ink. I printed this on the Henderson Press at East London Printmakers. Here is a video of the “print reveal” (17seconds, silent):
Thanks to Evonne at East London Printmakers for filming me!
Here are the other 4 prints from this plate. They are all on a different, but similar paper: Tosa Washi from Shepherds, (ref: J632180)
The print was based on a sketch of Colechurch House last year. See this post:
Aficionados of 20th Century brutalist architecture need to hasten to appreciate Colechurch House. It is due for demolition and redevelopment. This month’s post in the marvellous “London Inheritance” site informed me about the planning application, so I rushed over there to draw a picture before the building became swathed in plastic. I drew this picture looking over the railings from London Bridge. This position commanded an excellent view of Colechurch House, but…
Here are more examples of the technique using a plate made from packaging material. I have written about the process here.
Here is another packaging print. This one shows Bridge ELR-XTD Structure 20 on Cornwall Road (N) between Charing Cross and Waterloo East, South East London. The road that leads off to the left is Sandell…
Huge brick arches carry the railway lines into Waterloo Station. Here is a view looking North up Great Suffolk Street. This is a packaging monoprint. It is an intaglio print from a “plate” made from…
The Boston Arms is in Tufnell Park, London, 178 Junction Road N19. I love the way this building presides over the junction. This is one of five prints I made with this plate made from…
Here is an image of The Museum of London, in the south west corner of the Barbican: The “plate” is made from a UHT milk carton. Here is the back of the used plate: Here…
Here’s another “packaging” monoprint. This was made using an empty box of tissues. This is a tower block on the South bank of the river Thames, seen from the North bank. That’s the river in…
Here is a “packaging” monoprint I made of the huts in Walberswick. The print is made using a discarded carton from a box of aspirin. It looks like this: The brown colour is shellac, a…
I am trying an experimental monoprint technique. The idea is to use packaging material to make intaglio “plates” which are then printed using an etching press. This is the first one. I printed it yesterday…
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Here is a view of the east face of Shakespeare Tower, Barbican, from Defoe Place, near the Barbican Centre. You can see the main entrance to the tower. On the right is Cromwell Highwalk, and Ben Jonson House beyond. On the left you can just see the stairs that go down into Defoe Place from the highwalk.
Shakespeare Tower from Defoe Place, 12″ x 9″ [commission]
Preliminary sketch
I wanted this picture to give an impression of what it is like to walk around the Barbican. There are different depths, and sharp contrasts of dark and light, and large open spaces. Workers from the library looked out of their windows, saw me drawing and came to look at the picture. This was drawn in February, but still there were some flowers in the planters, even though this particular planter was in a shaded and windy place. The smell, however, was not of flowers but cigarette ends. People evidently use the area under the stairs as a smoking area, and drop their butts. So that’s the Barbican: people who talk to you, soaring towers, great perspective views, wide open spaces and a certain shabbiness around the edges.
Here is the pen-and-ink compared with the colour:
Before and after the colour went on
This was a commission. I am grateful to my client for the prompt to examine the Tower from this unusual angle. And also for sending me this photo of the framed watercolour:
Framed watercolour. Photo credit: NM
A collection of my drawings of the Barbican is here:
From the highwalk on the Rotunda there is a really amazing view of the Museum of London and Bastion House. This whole view going to change radically, if the City of…
I hastened to draw the magnificent Bastion House, on London Wall. It is due for demolition. In the foreground you see the balcony and privacy screen of the flat in Andrewes,…
From the highwalk on the Rotunda there is a really amazing view of the Museum of London and Bastion House. This whole view going to change radically, if the City of London plans are approved.
Museum of London from the Rotunda, 15″ x 8.5″ on Arches watercolour paper
The Museum of London is in the South West corner of the Barbican. It was designed by Philip Powell and Hidalgo Moya.
The Museum opened in 1976. The City of London plan to close it in December this year (2022), and then to demolish it, along with the surrounding highwalks and pedestrian bridges over London Wall.
The dark-coloured block in the background on the right is Bastion House. This 17 storey tower block was built to the designs of architects Powell & Moya between 1972 and 1977 as part of the Barbican development. It is on top of part of the Museum of London’s display space.
The City of London now plan to demolish it.
So if the plans go ahead, this view will no longer exist. I rushed to sketch it.
Museum of London and Lauderdale TowerMuseum of London and Bastion House
This drawing is in an aspect ratio new to me: 15″ x 8.5″ or 38cm x 22cm. I wanted to get the whole of the front of the museum in the picture.
Here is comparison of the pen and ink and the the colour versions:
The architecture practice which designed The Barbican is “Chamberlain, Powell and Bon”. This “Powell” is Geoffrey Powell and not the Philip Powell of the Museum of London. The architects involved in designing the Barbican were:GeoffryPowell, Peter “Joe” Chamberlin, Christoph Bon, and Charles Greenberg.
The architects who designed the Museum of London and Bastion House are Philip Powell and Hidalgo Moya of the architecture practice “Powell and Moya”.
Thank you to the reader who clarified this for me.
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Here is a view of the tower of former London Television Centre building, seen from Windmill Walk, off Roupell Street near Waterloo Station. I…
It’s due for demolition. So using discarded packaging to make an image of this building seemed to be appropriate. The building, though made of concrete and steel, is yet ephemeral, like my fragile plate.
I made the print on “Gampi smooth” paper from Shepherds of London. This handmade paper is thin, translucent, and has small inclusions and imperfections as you see on this detail photo:
The sky in this part of London is never empty. There are always seagulls, falling leaves, windswept paper, aeroplanes, police helicopters. And rain.
The ink for this print is Charbonnel F66 Black traditional etching ink from Intaglio Printmakers. I made the print at East London Printmakers on the Henderson etching press.
London Weekend Television, London South Bank. Paper is a bit over A3 size.
Here are some other prints made using the same technique: