Vauxhall Tea House Theatre SE11

Here is a civilised place in London. It’s the Vauxhall Tea House Theatre.

This is a picture I sketched there last week:

Vauxhall Tea House – 2:30pm 7 March 2024, in sketchbook 14

The tea I drank was their “Russian Smoky Tea”.

I’ve visited the Tea House many times. Here is an outside view from June 2022

Tea House Theatre, external view, June 2022 in Sketchbook 12

They have all sorts of theatrical events on their tiny stage. I enjoy “Don’t Go Into The Dungeon” where talented actor Jonathan Goodwin plays all of the characters to amazing effect. He specialises in Victorian mysteries. The next one is “The Hound of the Baskervilles”. Dinner is served before the performance. With scones for dessert.

Here’s where it is, just a 5 minute walk from Vauxhall Station.

And in more detail:

Here’s my sketchbook page:

Sketchbook 14

Scenes from Switzerland – August 2023 sketchbook

Sketching is a way to fill those “waiting” times with creative activity.

I had an A5 sketchbook with cartridge paper. This cartridge paper behaved differently from the watercolour paper I am used to. It was more suited to quick sketches.

It was hot weather. Outdoors the paint dried quickly. Here’s the hotel from the other side of the road, drawn very quickly, about 20 minutes.

Hôtel de France, Sainte-Croix 18 August 2023

I went to the swimming pool. On the way back I stopped to sketch the sloping hill and a house in the trees.

Here’s a view of the bar at the hotel.

Here’s a flip-through of the sketchbook. 20 seconds of silent video. [This video and the gallery beneath may not show on email or phones so if there’s a problem please see the web version of this post]

Sketchbook flip-through. Sketchbook from the Vintage Paper Company.

I’ve sketched in Switzerland before. Here are some other other drawings I’ve done in the same location:

Swiss house on a hill

Here is 23 rue du Petit-Montreux, Sainte-Croix, Vaud. I sketched this house after breakfast. The sun was bright and I rushed out into the crisp morning. It took me…

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View from a Swiss Hotel

It was raining in Switzerland. Here is a sketch I did looking out of the window of the Hôtel de France, Sainte-Croix, Vaud. The building with the flags is…

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Sainte-Croix, February 2020

The weather in the Jura mountains is changing. This is climate change, the residents tell me. Once, the snow came reliably every year, bringing skiers. Now, the snow is…

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Sainte-Croix, Vaud

This is the church. Drawn and coloured on location, about 1 degree C. That’s snow in the foreground. Then later, it was colder. Hotel de France, drawn from the…

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Snow in Sainte-Croix

Snowfield behind the church. Painted with melted snow as I forgot to bring water. All done standing up as everything was wet and cold. Snow blew from the roof…

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Shetland 2022 – Burrastow

Here is a drawing I made after breakfast:

After Breakfast, Burrastow, 9th July 2022

I drew some pictures indoors:

A glass of wine:

A glass of wine – 12 July 2022

An evening on the terrace….

An evening on the terrace, Burrastow, July 2022

Indoor scenes (1 May to 11 May)

I have continued to draw indoor scenes. Here are the latest pictures:

Earlier Indoor Scenes are in this post: Indoor scenes (11 Apr – 1 May)

They are all in a Gamma Series Stillman and Bern sketchbook.

Here are three videos showing the sketchbook to date – with voiceover!

Indoor Scenes (1)
Indoor scenes (2)
Indoor scenes (3)

Indoor scenes (11 Apr – 1 May)

Since I live in a flat, “stay at home” means “stay indoors”.

I started drawing the scenes around the flat.

I can look outdoors. We have a balcony which is just big enough for the drying rack. I have mended my rucksack. Then I washed it. After all, I won’t be needing a rucksack for a while.
My principle is to draw things as I find them. I don’t move or adjust them. These are vernacular still lives: the way things are.
Here is the ironing board.
Here are the things which accumulate at the end of the sofa.
A scene by the kitchen sink.
An apple from the vegetable delivery.
Evening scenes
The important HDMI connector. I learned to make the TV work from my laptop. This was for the online life-drawing sessions.
Miscellaneous objects get thrown together. Here, some knitting items meet the mobile phone technology.
The huge onion.
Laundry on the balcony, exercise towel, coat hanger. Before I finishd this picture, the rain came down, and I had to go out and get the washing in.
Items form social groups: the weighing machine, the kitchen roll, a food container, the enamel plate, two shopping lists, the hand cream, a beer glass with the parsely in.

These are the drawings up to today, 1st May.

Stillman+Bern, Gamma series sketchbook. Still a lot of pages left to fill.

Collage/postcard: a corner of the flat

Here is a postcard from indoors:

It shows a corner of the flat. You see the sun outside, and birds, and the city. You see parks, rivers and the great outdoors. But mostly, you see the sun on the carpet.

Sainte-Croix, February 2020

The weather in the Jura mountains is changing. This is climate change, the residents tell me. Once, the snow came reliably every year, bringing skiers. Now, the snow is unreliable. “It shouldn’t be like this,” they said, looking out at the slushy rain. This is February: high skiing season. “It should not be like this,” they say again, sadly.

Here is a sketch made looking out of the window into the rain and melting snow. The lady at the Post Office added the stamp.

Sainte-Croix, February 12th 2020, looking down the hill towards the station.

I made that picture with just watercolour: no pen.

The Hôtel de France celebrates the fine engineering expertise of the area with a collection of typewriters. There were several in the meeting room where we worked. Here is one of them.

Typewriter. The Post Office lady obliged with the stamp.

This was a busy visit. My arrival had been delayed by a storm, and so work was compressed into a few hours. My next sketching opportunity was while I waited for a lift to the station.

Here’s a view across Lake Geneva in the rain.

Sketching in the Ashmolean Museum

What is the purpose of a museum? The previous evening, I’d been to a lecture by Tim Reeve, Deputy Director of the V&A. He had described, with great conviction, a new building they plan for East London, in “Here East” on the former Olympic Park. It will open up the V&A storage and logistics centre to public view. People will be able to work there, and be inspired by the objects. The idea is to generate “creative career opportunities in East London”. I could see how the proposed building, its architecture and the way it will be used are oriented firmly towards that clear aim. Well done V&A.

So, sitting in the Ashmolean Museum of Art and Archeology in Oxford, I wondered what was the purpose of this museum. I was in the Randolph Sculpture Gallery, which contains a collection of Greek and Roman marble statues, collected in the 17th century.

The main use of the gallery, at that point in the day, was for people to sit on the upholstered seats, and chat, and use their mobile phones. In my sketch, I drew the three benches I could see, each of which is occupied by someone staring at their mobile phone. In the background, a monumental head of Apollo looks on.

This part of the gallery seemed to be serving as a public living room, which is perhaps as fine a purpose for a museum as any.

On the lower level there is a large Egyptian statue on a tall plinth.

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An elderly gentleman chose this place to read his paper. Through the plinth, I could just see a woman chatting to someone via her screen.

There are many ways to enjoy a museum.

I walked about sketching things.

Here is an object from one of my favourite parts of the museum. It is a Yue ware pot, about a thousand years old. It’s small, only about 5 inches tall, and a gleaming green colour. It’s lovely to draw these things, as it in only by looking for a long time that I gradually become aware of the marks of the fingers of the maker, and of the slight irregularities in the shape.

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A concert at St Bartholomew the Great

Here is a post-card sized sketch of people listening to the concert. It felt as though the stones were listening too.

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Pen and ink in small Seawhite journal, about 20 mins.

The Chapel at the Charterhouse

Here are three sketches done inside the Chapel at the Charterhouse.

There is a quiet recording of religious songs in there. The sound makes the place calm. People speak softly.