This is a view on an intriguing house which is on Clere Street in Shoreditch. A sort of greenhouse has been built on top of an older Victorian house. Very modern. As far as I can work out it is 17-18 Clere Street. There are various names on the door bell, and the top one is labelled “Nucco Brain”. Nucco Brain is a “visual storytelling company”. They make videos. But this may not be the glass structure, as that looks residential. Hard to tell.
The view is from the corner of Leonard Street and Tabernacle Street, EC2. In the foreground is a sunken bar, and then, amazingly, a bomb site used as a car park. The bomb site and the warehouse building on the left of the drawing are “EMA textiles”, with Acme bar in “EMA House” on the ground floor.
“EMA Textiles, based on the edge of Shoreditch and the City of London is a large specialist babywear and childrenswear fashion importer. We have been established for 60 years and successfully supply many high street retailers with a full range of products” (LinkedIn)
I continue to work on my “Towers Project”. The idea is to document the towers of Finsbury, Islington and Camden, or at least the ones I can see from my window.
I did a “Skyline” previously which you can see on this link.
Here are two smaller etchings, Towers East and Towers West, both 10.5cm by 15cm. I finished Towers West yesterday.
These two together form a panorama. I used Towers East in a Chine Collé course. See this link.
The two prominent towers at the front are part of a Peabody Estate, the “Roscoe Estate” on Roscoe Street. The one on the left is “Peabody Tower” and the one on the right is “St Mary’s Tower”. The low house at the very front on the left is Fortune House, on Fortune Street. I have drawn Peabody Tower in an urban sketch, see this link.
These etchings are aquatint on copper. Here is work in progress on “Towers West”.
Drawing “Towers West” on hard ground using an etching spike.
“Towers West” print: hard ground etching
I drew the picture in hard ground using an etching spike, then etched it in acid called “Edinburgh Etch” for 20minutes. The resulting print is shown above on the right.
Then I put resin dust, called Aquatint, on the plate, and set it with a gas burner. I paint varnish on top of the Aquatint, to make the shapes, then dip in acid, then paint more, then dip. Towers West is 6 dips. The sky is a technique called “spit bite”: I just paint the acid on, wait 20 seconds, and wash it off.