Cosser St, SE1 – North East

Here is the second sketch of Cosser St.

Cosser St SE1 – North East Side, from McAuley Crescent. 12 inches by 9 inches [SOLD]

From this angle you can see “The Steam Engine” pub, which is the red-roofed building in the picture, fronting onto Cosser St.

The day when I drew this was a surprisingly hot October day. The blue sky is accurate.

I was drawing standing up, with a dull red van behind me and my bicycle in front of me. As I drew, a rubbish truck arrived in front of The Steam Engine, and proceeded to reverse slowly down McAuley Crescent towards me. You can see the curve of the Crescent in the drawing. The driver skilfully negotiated that bend in the road, and kept on coming. I must have looked rather nervous, because the driver grinned at me, wound down his window, and called out, “Are you doin’ alright there?” I said that yes I was doing fine, and was I in his way? No no, he assured me. I told him how much I had admired his skilful driving, backwards down the road. He laughed again, and informed me, “I bin doin’ this since the 1980s. I should be good at it!”. Then he continued his smooth reversing, back beyond the red van and out of my line of sight.

I knew he must come back again, so when I heard the lorry engine I paused my drawing to wave. He waved back and called out a greeting, as he and his lorry hurtled confidently back towards Cosser St and their next collection.

The colours in this picture are: Buff Titanium (DS), Perylene Maroon (DS), Green Gold (DS), Fired Gold Ochre (DS) and Phthalo Turquoise (W&N). I did a preliminary sketch, which you see in these work-in-progress pictures.

This was the second picture done in a set of three for a commission.

The first one is here:

Cosser Street, SE1 – South West

Here is a building in Cosser St, near Lambeth North tube station.

Cosser Street SE1 – South West view. 12 inches by 9 inches [SOLD]

This is the first of three drawings in the area, for a commission. Someone who had enjoyed living here was going to be moving to the country, and asked me make some pictures for them, to remember the locality.

Ambulances park in this area. The street is not so empty as I have drawn it. Fortunately, they do not always park in the same place, so I could draw the front of the building a bit at a time. You can see the ambulances in the work-in-progress drawings below.

It was very cold, and there was an autumn wind.

The colours in this picture are: Phthalo Turquoise (W&N), Perylene Maroon (DS), Fired Gold Ochre (DS), Mars Yellow (DS), and Green Gold (DS).

Garden Museum in Lambeth

I drew a picture waiting outside the Garden Museum in Lambeth.


The Garden Museum is inside St Mary’s Church. The upmarket restaurant attached to the garden museum is the bronze-coloured cuboid on the right. The slab of stone which the tourist is sitting on is a tomb.

Prompted by an article in a newspaper, we were at the “Garden Museum” in Lambeth to see an exhibition of the art in Ladybird Books. I learned to read with Ladybird Books, as did so many others of my age. Here are pages from “Shopping With Mother”, one I remember with particular clarity. These are photos of the copy I still have, published 1958.

Note that Mother is wearing a hat and white gloves.

Since the exhibition was at the Garden Museum, they showed the art in the Ladybird Books of Trees, of Garden Flowers, and so on.

We also went up the tower of St Mary’s Church. It is 131 narrow steps. At the top it was very windy and we had a superb view. Here is what Lambeth Palace looks like from the tower.


In Victoria Tower Gardens, next to the Houses of Parliament, there was a huge demonstration to draw attention to Climate Change. The loudspeakers from speeches at the demonstration were accompanied by car horns and swearing of angry drivers, caught in traffic jams in the surrounding roads, and the wails of sirens as ambulances tried to reach St Thomas’ Hospital which is nearby. It was a soundscape of competing interests.







Royal Festival Hall and the London Eye

I went up to the marvellous roof garden, on top of the Queen Elizabeth Hall on the South Bank.

Here is a picture of the Royal Festival Hall, with the London Eye behind it. The tower of Westminster looms behind the wheel.


This roof garden seems to be a place for serious discussions. Some people at the next bench were discussing whether to stay employed or not. One of the options was to “go travelling”. Another, as far as I could work out, was to “get married”. It was hard to keep track of their wide ranging conversation, because I had to concentrate on the beautiful curve on the front of the Royal Festival Hall. It was a luxury to be there, and to appreciate the lines of the architecture. The lines were somewhat compromised at this roof level by the many creeping plants, floodlights, and surveillance cameras which you see encrusting the ventilation shaft in the foreground. Also note the prominent mobile phone mast on top of the Royal Festival Hall. I would not have granted planning permission for that.

The roof garden is a wonderful invention, and well done. By the time I’d finished the drawing, many people had made their way up, and were discussing work, and relationships, all very earnest. I discovered that I was sitting in the smoking area, which is adjacent to the vaping area. Marijuana smells wafted up from somewhere, perhaps from the skateboarding area in the Undercroft below. I could hear the crashes and the calls. But there was also a smell of grass, actual green grass, as in the picture.

Here is work in progress and a photo of my sketchbook on the concrete:

The drawing took 1hr30mins.
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The London County Council (LCC), as it then was, initiated the building of the Royal Festival Hall as their contribution to the Festival of Britain. The foundation stone was laid by the Prime Minister Clement Atlee in 1949 and a mere 18 months later, in 1951, the concert hall opened with a gala concert, which shows what can be done if you are determined and have a deadline.

The project was initially led by the LCC chief architect Robert Matthew, then later by Leslie Martin, with Edwin Williams and Peter Moro. It was built on the site of the Lion Brewery, which was built in 1837.

[this information from the Royal Festival Hall website, and the Twentieth Century Society]