Another collage postcard. I posted this one in London 18th May.
It looks a bit crinkled because the cardboard was damp with PVA glue, and then dried. The white shape on the bottom right is a flake of white paint I found on the ground. It must have been polyurethane paint, because it was flexible and easy to cut. I left the edge ragged, as found. Top left is a map of Crete from the packet of olives. The fence is made of palm leaf. The leaves didn’t want to go flat.
Here is a collage made for friends in Switzerland.
I posted it at the Post Office in Kalami on 8th May. The official there did not seem to be concentrating very hard. He looked dubiously at the word “Switzerland” on the address. I think I need to find out what “Switzerland” is in Greek.
The card is made from seeds and bits found on the walk.
Here is the construction in progress. Clothes pegs are an important tool.
We visited the monastery again, before going to the airport. Two large coaches were in the car park.
As I drew the chapel, fragments of dialogue in French and German floated by. A French-speaker was relieved at last to have a call from Yves. He described in detail where the car was, naming the Greek village. He must insist it be ready by Thursday.
A woman with a German American accent told me my drawing was beautiful. I told her I was glad she liked it.
By and large people were respectful and did not stand in front of me while I sketched. But, according to John, a guy with a big heavy camera photographed the drawing, over my shoulder, without my knowing.
After an hour and a half John came to alert me that we should leave in 5 minutes.
Pen and ink. 1 hour 40.
Here’s what it looked like before adding the tones: