This image is a by-product of the packaging print plate of the Boston Arms.
After I had cut out the packaging print plate of the Boston Arms, I was left with the “negative”: the top part of the plate. As it was on its way to the bin, I realised that I could use this to make another picture. So I retrieved it, and made this plate:
I added a few people. This is a pub, so these are some people on their way to the pub.
I used this cardboard plate to make some prints. I painted it with shellac, to make it stronger.
Here are the prints, made on the Albion press at East London Printmakers. The prints are”collographs”: relief* prints.
I made the prints on top of some experimental monoprints made last year.
*A “relief” plate is one in which the ink is rolled onto the raised part of the plate. The raised parts print dark. A potato print, a lino print, woodcut or an ordinary rubber stamp is a relief print. This is by contrast to an “intaglio” print, in which the ink is wiped into the indentations and into engraved lines on the plate. The raised parts print light, and the lower parts print dark. My etchings and packaging prints are intaglio prints.