Author: Jane

Urban sketcher, coastal artist, swimmer.

Shetland collage postcard

Here is a collage postcard I made, inspired by the work of Martin Hicklin.

As you see, it shows a seabird, probably a fulmar, soaring over the coast, with the green hills beyond, and a characteristic Shetland fence. The fine blue sky is made from rope waste found on the beach.

I managed to arrange for the seabird to move, sliding along a fine thread, and hover above the background.

This went through the international post. I don’t yet know if it arrived…..

Here are some other collage postcards I have made over the years. It’s good fun!

Insects Collage

I made a postcard for friends in Basel. It shows the insect life in Crete. Here are some details, and the work under construction.     The idea was that the flies…

The Guardian of the Vines

Another collage postcard. I posted this one in London 18th May. It looks a bit crinkled because the cardboard was damp with PVA glue, and then dried. The white shape on the…

Connection to friends in another city

Here is a postcard collage I sent to my friends in another city. It is inspired by the website: sendmeapostcart.com, and shows the connections we make, the lines which bind us, the…

The Cuttlefish

I made a collage postcard inspired by “the Blue Planet” series on BBC2. This is the cuttlefish. The sea bed is made of breakfast cereal, and the seaweed is strands of unraveled…

The journey to the chapel of St Antonis

Here is a collage made for friends in Switzerland. I posted it at the Post Office in Kalami on 8th May. The official there did not seem to be concentrating very hard.…

Collage/postcard: a corner of the flat

Here is a postcard from indoors: It shows a corner of the flat. You see the sun outside, and birds, and the city. You see parks, rivers and the great outdoors. But…

Collage Postcards: archive

Here are some of the collage postcards I have made. The constraints I set myself are: the postcard must go in the post by itself: no envelope it is made of found…

Sketching in Shetland 2023 – Seal lagoon and swan loch

While I was drawing this picture, I was startled by a loud sneeze. Since I was totally alone on the hillside, it was uncanny. Then I realised that the sneeze came from across the water, from the seal colony at the base of the dark rocks.

Across the seal lagoon, Littlure

Soon several seals were in the water, swimming over to see what I was doing. They stayed a little offshore, bobbing about. Seals look into your eyes, as dogs do, and seem to want to communicate. They said “who are you?” and “come and play!”. They seemed disappointed when I walked off, without having accepted their invitation to swim with them in their chilly waters.

There are also seals on the beach where a stream from the Loch of Quinnigeo arrives at the sea. Nettles grow, sheltered from the wind by the deep ravine, and watered by the freshwater stream. I’ve swum there, and sketched the cliffs.

Nettle beach cliffs, July 2023

The loch of Quinnigeo is surrounded by smooth hills.

I’ve seen swans on the loch (off the picture to the right). They are not the ordinary urban type of swans I’ve seen in parks, which are called mute swans. Mute swans have pink beaks and these ones had yellow beaks. They drifted calmly in the middle of the loch with their cygnet, honking in a conversational kind of a way. Whooper swans or Bewicks? I couldn’t distinguish at that distance.

Here is another attempt to show the solid landscape round the loch and the way the hill casts darkness onto the still water.

Loch of Quinnigeo, Littlure, near Walls, Shetland

Sketching in Shetland 2023

Here is my Shetland sketchbook:

A5 sketchbook from the Vintage Paper Company

This sketchbook was brilliant because it could fold back onto itself, and I could hold it with one hand.

I often worked on two sketches at once. I worked on a drawing on a sheet, alongside the drawing in the sketchbook. One drawing dried while I worked on the other one. Work does not dry quickly in Shetland: there’s a dampness in the air.

Working on two drawings at once. Top left: a drawing on a single sheet of A5, fastened to a card. Bottom left: Sketchbook. Bottom right: Palette by David Cooper, Classic Paintboxes.

Here are drawings in Aberdeen:

From Aberdeen I take the overnight ferry to Lerwick in Shetland Mainland. Shetland is 100 miles off the north coast of Scotland.

The ferry from Aberdeen takes about 12 hours and travels 200 miles.

I stay on the West side of Shetland. There are smooth hills, few trees and usually a view of water.

Here is a magical place: high up on cliffs near the sea at Littlure is the Barni Loch. My drawing is inspired by the work of Peter Davis an artist based in the Shetland Islands.

Barni Loch, Littlure, 25th July 2023, A5 in sketchbook.

A bit further on is Footabrough.

Footabrough, in the style of Peter Davis. A5 on watercolour paper.

During this walk, the island of Foula floats on the horizon, sometimes visible, sometimes not.

Foula is 20 miles away from the Shetland Mainland.

I was staying at Burrastow. There is a table by the beach.

Burrastow House, Walls Shetland, view from the beach

Here is the view from the Beach Table

I’ve drawn Burrastow House on previous visits.

On this visit I drew landscapes. I’ll make a new post to show you those, and also to show pictures from my visit to Fair Isle.

London Liverpool Street, EC2

Here is Liverpool Street Station, main entrance, sketched today from outside the “Railway Tavern”.

Liverpool Street Station, 25th June 2023, 1pm. 8″ x 10″ in sketchbook 13.

The humanoid figure on the plinth is Morph, part of a temporary art trail.

The area in front of the main entrance is like an art installation in itself, a collector’s assembly of street furniture: two different types of bollards, long ribbons of fencing, several species of street lamps, and that enormous CCTV stand which is just behind Morph. It’s surprising that people can find their way into the station in amongst the obstacles. I haven’t drawn them all.

Here’s work in progress on the sketch:

Pencil
Pen
The view
Colour

This section of Liverpool Street Station was built in 1875 as the new London terminus of the Great Eastern Railway. The building on the right of my drawing is the edge of the former Great Eastern Hotel (1884), now the Andaz London Liverpool Street. The pink building in the background is an office block on Bishopsgate.

Map: (c) OpenStreetMap Contributors
Sketch map

I’ve sketched in this area before. This post contains more information about the history of Liverpool Street:

Liverpool Street Station from Exchange Square

Here are the magnificent 19th Century arches of Liverpool Street Station, seen from Exchange Square. Liverpool Street Station opened in 18751 Now the question is: what curve is that arch? I thought it might be a CYCLOID. A cycloid is the shape made by a dot on the edge of a rolling wheel. I made…

Keep reading

In 2019 I sketched the entrance to “The Arcade” which is shown on my sketch map. See this post for more about this sketch of The Arcade.

Compton, St John’s Square, London EC1

Clerkenwell has many interesting corners. Here is a view across St John’s Square. I sketched it earlier today, sitting on the step of the Priory Church of the Order of St John. The restaurant is called “Compton”.

View across St John’s Square, Compton restaurant, 21 June 2023, in sketchbook 13

Here’s a map:

Thank you to the kind person from the Priory Church. They emerged from the door behind me. There I was, low down on the step, at the pen-and-ink stage, with my materials laid out neatly on the stone. They obviously had not expected anyone to be sitting on the step. I had not expected anyone to come out of the dark door. It had looked as if it had been closed shut for millennia. After a moment of surprise, politeness prevailed and we both said hello. Thereafter, I grouped my materials into a compact heap, and they came and went, tolerating me amiably, and skirting around me to operate the card key system.

This picture has just four main colours: Ultramarine blue, Brown umber, Mars yellow, and Green Serpentine Genuine. The only other colour is Fired Gold Ochre for the terracotta: the chimneys and the flowerpots. All colours are Daniel Smith watercolours.

Here is work in progress:

Garden of the Museum of the Order of St John, Clerkenwell, London EC1

On a hot day, in need of healing, I re-discovered this herb garden. It is hidden away the other side of a gate off St John’s Square in Clerkenwell. The gate is open and you can walk right in. There are benches, and aromatic plants. At the back, there’s.a cloister.

I went in the cloister, and found the ideal place to sketch: cool, still, and quiet, with a view from those windows.

Here’s the view:

From the Cloister, looking into the garden, 15th June 2023, 10″ x 8″ in Sketchbook 13

The Order of St John has a long history.

By 1080, a hospital had been established in Jerusalem by a group of monks under the guidance of Brother Gerard. Its purpose was to care for the many pilgrims who had become ill on their travels to the Holy Land. The men and women who worked there were members of a new religious order, officially recognised by the Church in 1113. Known as the Hospitallers, they cared for anyone, without distinction of race or faith.

website of the Museum of the Order of St John [https://museumstjohn.org.uk/our-story/history-of-the-order/]

These days, this is the organisation behind St John Ambulance.

The garden is wonderful. A place of solace. People from the offices around go there to eat their lunches and also to discuss office politics I realised. But also to read books, dream, doze, and of course, to sketch. There is a book stand by the gate as you go in, with secondhand books you can borrow or buy.

I’ve sketched in this garden a few years ago, from a slightly different viewpoint:

My sketch shows the backs of houses on Albemarle Way. This street and others nearby feature in the novel “Troubled Blood” by Robert Galbraith.

I looked back at the houses as I walked through the garden on my way out. I saw that one of them claims “Ancient Lights”. That’s asserting the right to light, and was a way in law to prevent anyone constructing a tall building which obstructed your windows. It’s “ancient” because you had to have enjoyed the benefit of the light for 20 years or more before you could assert “Ancient Lights”. This has now been superseded by “modern planning laws” I read. But maybe we should put some “ancient lights” notices on the windows of our flat, just to be sure.

Here are maps:

The drawing took three hours. By the end of that time, my mood had transformed itself, and I walked out healthier than I walked in.

Oxford Nuclear Physics Building

Here is the University of Oxford Nuclear Physics building, seen from the Banbury Road.

The Nuclear Physics building, now the Denys Wilkinson building, University of Oxford. Sketched 27 May 2023, in Sketchbook 13

The building was renamed the “Denys Wilkinson Building” in 2002. It was built in 1967 to the designs of architect Philip Dowson of Arup. The fan-shaped structure originally housed a Van der Graff particle accelerator, now dismantled. [https://manchesterhistory.net/architecture/1960/denyswilkinson.html]

Professor Wilkinson (1922-2016) was the Head of the Nuclear Physics Department from 1962-1976.

The building on the left is the “Thom Building” which houses the Engineering Department. This building had a marvellous “paternoster” lift in the 1970s. (Note 1). This is a lift with single compartments, which operates in a continuous loop, like rosary beads, hence the name. You simply stepped into one of the slowly moving compartments and were carried up or down.

Here is work in progress on the drawing:

The fan-shaped structure is a rare example of brutalism in Oxford. St Catherine’s College is another example.

Ought we to treat the Denys Wilkinson building and St. Catherine’s College as a celebrated chapter in Oxford’s aesthetic history, or as evidence of a period better forgotten?

Caitriona Dowden -writing in the Cherwell, 26th October 2020 [https://cherwell.org/2020/10/26/oxfords-eyesores-brutalisms-place-among-the-dreaming-spires/]

A celebrated chapter in Oxford’s aesthetic history, I think. here are some details of the design, for brutalism enthusiasts like me:

Note 1: Alan Knight writing of his memories of the department confirms my recollection: https://www.soue.org.uk/souenews/issue2/jottings.html. The paternoster was replaced by two ordinary lifts in the 1980s.

Wycliffe Hall Chapel, Oxford OX2

On a visit to Oxford recently, I stayed at Wycliffe Hall as a Bed and Breakfast guest. Wycliffe Hall is on the Banbury Road in North Oxford. It offers theological training to women and men who wish to become ordained or lay ministers in the Church of England. The hall was established in 1877, on the current site, and is named for John Wycliffe, bible translator and master of Balliol College in the 14th century.

I sketched the chapel which was added in 1896, designed by architect George Wallace.

Wycliffe Hall Chapel, 54 Banbury Road, Oxford, sketched 26 May 2023, in Sketchbook 13

There are amazing trees in this part of Oxford. The houses are large, but the trees are larger. I had my breakfast outdoors in the garden at Wycliffe Hall, looking at a gigantic London Plane. The view from my bedroom was filled with beech tree.

Breakfast and the Plane tree
Plane tree
Beech tree in Wycliffe Hall
View from the bedroom window
Trees and the spiral staircase, Wycliffe Hall
More trees seen from Wycliffe Hall

I sketched the chapel in the evening and finished the sketch the next morning.

For a sketch of the west side of the Hall, see this post.

Roofscape from Macklin Street, London WC2

Walking through the back streets of Covent Garden, I came across a row of Victorian brick-built houses. This is Macklin Street. I made a quick sketch of the roofs.

Roofscape from Macklin Street, 5th June 2023 in Sketchbook 13

While sketching I noticed a peculiar thing. There are no doors onto the street. It turns out the entrance to this row of buildings is on the nearby Newton Street, overhung by greenery and climbing plants.

The brick building in my sketch is Wimbledon Buildings, formerly Wimbledon House, built in 1893.

In 1893 the Parker Street Lodging House was
completed for 345 people. In 1896 Aldwych, Cotterell
and Lindsey (demolished in the 1960s), Powis and
Wimbledon buildings were completed for 284 people.
Twenty workshops were also provided. The scheme also
widened Parker Street and Macklin Street.

page 9, Camden Conservation Area Statement (undated) [https://www.camden.gov.uk/documents/20142/7905860/Seven+Dials+Estate+CAS.pdf]

It is now part of a “Central London residential street with a community of social housing and owner occupying flats”, with its own Twitter account. Here is a interesting picture from that Twitter feed, showing the roof gable I sketched. This is the view from Newton Street, with Macklin Street going off to the right. Note the absence of front doors. The entrances are through a gate at the left of the photo.

St Joseph’s Primary School is on Macklin Street. Its former name, Macklin Street Catholic School, is still clearly inscribed in the stonework high up. As I sketched, the children came out into the street at the end of their school day.

The Camden Conservation Area statement mentioned above is on this link . If that doesn’t work, you can download it from the link below. It is 36 pages.

seven-dials-estate-casDownload

London Wall EC2: the hanging bridge

Here is an amazing sight: the hanging bridge over London Wall.

London Wall, hanging bridge. 24 May 2023, about 1pm, 7″ x 10″ in Sketchbook 13

The large building in the centre of the picture is City Tower, 40 London Wall. In front of it is a demolition site where City Place House used to be. The bridge used to connect to City Place House. Now this building has gone, the bridge hangs in space.

In my previous drawing I sketched while listening to the guitar music of Hidè Takemoto. For this drawing, the acoustic accompaniment was mostly percussion. The building site was active. Spasmodic grinding and crashing signalled the removal of concrete. Metallic hammering came from scaffolding under construction.

The big red grid on the right of my picture was hauled upwards and out of sight before I finished drawing it. It was going to be part of a second crane. It arrived on a large lorry which would also have been in the picture if it had stayed still long enough. Immediately it arrived, workers secured chains to the red structure and it was manoeuvred off the lorry. Hardly anyone on the pavement paid any attention to all this thrilling activity across the road. One person, the slim figure to the right of my picture, stopped and took a selfie.

GoogleMaps allows us to travel not only in space but also in time. Here are some screengrabs so you can see the City Place House (on the right) which has now disappeared.

As you see, City Tower used to be obscured by City Place House. It will be obscured again when the next huge building goes up.

The bridge in the pictures above is the “new bridge”. It was installed as part of the London Wall Place development (off the picture to the left). The “old bridge” took a slightly different route. Again, GoogleMaps provides an image. Notice the previous lampposts, with the flying saucer lights.

The “old bridge” across London Wall, July 2008.
City Place House, on the right, is the building which is now being demolished.

I sketched City Place House before it was demolished. This post (click below) gives information about the old building which has been demolished and the new building which is planned.

City Place House

An email from an ever-vigilant neighbour alerted me to the Planning Application for City Place House and the adjacent tower, City Tower. This application is currently under consideration. I hastened to go and have a look at the buildings, before they get swathed in white plastic. City Tower has been there since 1967. It is…

Click here to read this post..

City Tower is not being demolished. This is of interest because its sister building Bastion House, constructed at the same time, is deemed “unsafe” by the City of London, and is scheduled for demolition to make way for the “London Wall West” project. It’s curious that City Tower is evidently not “unsafe” and is standing proud, in use into the future.

Map of the area where I sketched
City House and Bastion tower, aligned with the street pattern.

I made a special tool to draw the many windows on City Tower.

City Tower has 35 verticals. I made a special comb from cocktail sticks to scrape the paint into the required number of vertical lines.

The colours are:

  • Ultramarine Blue and Lavender for the sky.
  • All the greys are Ultramarine Blue and Burnt Umber
  • The bridge is Fired Gold Ochre, with some Transparent Pyrrol Orange
  • The red is Transparent Pyrrol Orange
  • Mars Yellow is on the distant building and the scaffolding plastic
Sketching site: St Alphege Church in the background

I put down the first wash on site and finished the picture at my desk.