Category: People

Pictures of people I know, strangers on trains, other people, invented people…

Trieste Travel Journal – September 2025

I was gifted a sketchbook from L Cornelissen of London, a marvellous thing, beautifully bound.

Sketchbook from L Cornelissen, 9.5 inches by 7.5 inches, thick cartridge paper

It seemed perfect for taking on a visit to Trieste, Italy.

I used it for notes, sketches, and as a sort of scrapbook. After the trip I added photos. Here are some of the pages.

Here is a video of the journal (silent, about 90 seconds).

The black and white photos are analogue, from a film camera. The camera is an Olympus XA2 point-and-shoot from the 1980s, and the film was Kentmere 400 pan, developed and printed by Analogue Wonderland.

Urban sketching, Shetland and the journey south 2023

Here is a postcard which I made at the end of a long hot walk. It shows the houses in Walls, on Shetland West Side.

Houses by the water, Walls, Shetland. Postcard sketch A5, 8th July 2023

Here is Burrastow House and Burrastow Cottage, an evening view. I sketched this on top of a sky view I’d sketched earlier, but which had been spotted by rain, as you see.

Burrastow House and cottage, evening view. A5 postcard.

This is a restaurant in Lerwick: “C’est la vie”.

“C’est la vie” French restaurant, Lerwick, postcard sketch A5, August 3rd 2023

The flags are to welcome the “Tall Ships” which came to Lerwick earlier in the week. The restaurant was closed, I was waiting to see if it opened. Then the rain started. Then the restaurant opened and I finished the sketch inside. Then I walked to the Ferry Terminal.

On the ferry, I made quick sketch of people at breakfast.

On board MV Hrossey, approaching Aberdeen. Breakfasters in the lounge. August 4th 2023. Vintage paper company sketchbook, A5

Here is my final sketch of the expedition. On the train at Aberdeen, I looked out of the window.

Sketch: from the train, Aberdeen, Aug 4th 2023
Photo: view from the window.

I have a sketchbook full of images. Here’s a quick flip through showing random glimpses of the visit: (19 second silent video)

New Year 2023

Happy New Year!

I make New Year cards most years to send to friends and family. In recent years they have been prints: woodcuts or linocuts. This year it was a collage. My card this year is made of marbled paper and a kinetic band of people. The people are printed from carved rubber stamps. The concept was to show “through it all together”: people going under and over and through.

New Year Card 2023

Here is a short video to show how the centre band moves:

Here are the rubber stamps which made the people and the dogs. I cut them from a large pencil eraser.

Rubber stamps made from pencil eraser. They are each about 1cm high.

Here are some snaps of work in progress.

The marbled paper is from a pack of offcuts from the Wyvern Bindery. There are several different designs. The white card is watercolour paper from Jackson Art, cut down, with the offcuts used to make the moving band of people. I made about 45.

Here are cards from some previous years.

Happy New Year 2023!

Two boys

Here’s a print I made at East London Printmakers last week.

Two boys, etching, image size about 5inches by 3inches

I wanted to show how concentrated these people were, immersed in what they were doing, sitting on the wall.

It is printed on Fabriano Unica paper, using Charbonnel F66 traditional etching ink. Here is the copper plate:

The plate is made with hard ground lines, soft ground patterns, and three aquatint sessions.

I made some variations of this print. Here is one, using chine-collé.

Two boys, warm brown chine-collé

Sometimes in the printing process, magic happens. As I was packing for this print session, searching for paper, tissues, gloves, and other printing essentials, I encountered a thick envelope labelled “Old Prints”. I pulled out one of those, a street scene, with a vague idea of overprinting it. It is a drypoint I made years ago. The vague idea turned into a plan, and then a print. Here it is. I was really pleased with how it came out. The chine-collé is also a leftover from another project.

Two boys and street, combined image size about A5. Etching, drypoint and chine-collé.

Sketching on the journey to Orkney

We travelled to Orkney by train via Edinburgh and Aberdeen.

I carried a long thin sketchbook and made drawings along the way.

  • Aberdeen airport, print made with food wrapper
  • Aberdeen airport, print made with food wrapper
  • View from “The Silver Darling” restaurant
  • The Torrey Battery, from “the Silver Darling”
  • A pilot boat went past, very fast, on the River Dee
  • View from the train at Leukers
  • The Royal Society of Edinburgh, from the Wellington Coffee Café
  • View from Wellington Coffee, Australians in the street

Here is my very long sketchbook, 12″ x 5″ made by Khadi Paper, and bought at Atlantis in Hackney, London.

“An Afternoon in January”

I made a book for a young friend. It describes one of our recent adventures: a circular run we completed together, before lockdown. Here are some of the pages:

Here is the book under construction. The binding was made from the stiff cardboard from the back of drawing pads, strengthened at the spine with scrim, and covered in brown paper. In the absence of a bookbinding press I used two 12kg weights, and the breadboard. There were 32 useable sides (16 leaves), 4 signatures of 2 sheets and 1 signature of 1 sheet. The paper is Khadi smooth watercolour paper.

Work in progress on the book.

#Inktober2020

Here are my Inktober drawings for 2020:

Inktober 2020 prompt list

What is inktober? It’s a drawing challenge. There are prompts each day in October. The challenge I set myself is to do a drawing for each prompt, in ink, square. You can see the prompts here and on Inktober.com
Why do I do it? It’s different from my “normal” work. My urban sketches and other art generally take several hours, and are from life (non-fiction).
I do the inktober drawings quickly, in less than half an hour normally, and from imagination (fiction). Inktober jolts me into other worlds. It’s also a challenge, and enjoyable. I also like to see what other people draw, from the same prompt. The drawings are posted on instagram with the tag #inktober2020.

I did it last year for the first time. It surprises me that I can do it.

Online Life drawing – Andrea

Yesterday I participated in another online life drawing session with London Drawing. The model was Andrea: @andrea.morani_lifemodel on Instagram. Andrea was in his studio in Italy. The 200 or so people drawing him were distributed across the world.

monoprints @andrea.morani_lifemodel on London Drawing on online session 9th June 202

More online Life Drawing sessions:

Online life drawing – Laetitia

Here are some monoprint sketches of Laetitia, a ballerina with the Opera de Paris. This was a life drawing session , 9th May 2020, organised by @londondrawing. 200 people took part, from all over the world.

Laetitia @laetitia_channel_model

Online Life Drawing – David Wan

London Drawing (@LondonDrawing) organised another online life drawing session, this time with the model David Wan (@DavidWanLondon).

These pictures are monoprints, made by drawing or pressing on the paper which is placed on top of an inky sheet. What you see is the reverse of the sketch. The places where I pressed took up the ink. It’s like drawing or pressing on top of carbon paper, if you remember carbon paper. I like the technique because I can’t see what I’m drawing, so the lines tend to be more free, and I worry less about “getting it right”. The dark patches are made by pressing in the paper with fingers or an object, so it’s possible to get very dark tones quickly, which I like. It’s also a bit unpredictable, at least for a beginner like me, I have, so that the picture is a bit of a surprise. It helps that the picture is a mirror image, so when it appears, it’s different from what I drew.

If you’d like to see examples of a master of this technique, see the website or instagram account of John Carbery, @johncarbery.