The Palm Tree, E3

Here is “The Palm Tree” pub, seen from the south.

“The Palm Tree” 127 Grove Road, Mile End, London E3, 28th September 2021, 10″ x 7″ in Sketchbook 10

I have often puzzled about this pub. I pass it as I’m cycling or running on the Regent’s Canal towpath. It stands alone, in a field of green, strangely isolated. Has it always been like that?

The Palm Tree stands isolated by the Regents Canal.

The answer to that question is no. It was not always isolated. It used to be surrounded by houses.

Its Historic England entry (1427142) tells me that when this pub was built, in 1935, it was surrounded by terraces of houses, Palm Street, Lessada Street and Totty Street, which have since vanished. The entry says: “the pub is the final remnant of a once built-up, industrial part of London, destroyed in the Blitz and in subsequent clearances”

Usually, an elderly resident will gesture to dense terraced housing and inform you that “this used to be all fields”. But in this area of Mile End, the reverse is true: this open green area used to be all houses!

Here are a selection of maps. You see the dense housing and close-packed streets in the late 19th century, damaged by bombs in 1944, and then replaced by pre-fabricated housing in the 1970s. The post-war prefabricated housing was demolished in 1977. In the 1979-85 OS Map, the streets are still there, but the housing has gone. By 1995 it was “all fields”, and the Palm Tree pub stands alone, as it does today.

The reason the pub has an entry in the Historic England listings is that it is Grade II listed. Amongst the many architectural delights described in the listing is the saloon bar:

The saloon bar, accessed from the furthest door along the north-east elevation, appears to remain almost entirely unchanged since construction. The higher class of the bar is apparent in the fielded dado panelling on the walls and on the curved bar counter; otherwise the internal decoration is similar to the other bars, retaining its bar back, chequered counter edge tiling and chimneypiece[……]A dartboard cabinet, possibly from the original pub, was reinstalled in the late C20. Unlike the public bar, which originally had only gentlemen’s toilets, the saloon was served by male and female toilets (set either side of the fireplace); both of these remain largely unaltered, with original doors and door furniture, tilework and, in the gents’, a Royal Doulton urinal.” [Historic England Listing number 1427142]

Reason enough to visit the pub when it is open!

Part way through this sketch it started raining, then the rain became heavy.
I finished the sketch at my desk.

The main colours are: Mars Yellow for the brickwork and plants, Fired Gold Ochre for the reddish brickwork, Perylene Maroon and Prussian Blue, plus some Mars Yellow, to make the greys, and Green Apatite Genuine for the darker greens of the trees, with highlights of Green Gold. There’s a bit of Buff Titanium for the whitish tiled part on the ground floor. All colours are Daniel Smith watercolours.

Thanks to the staff and curators at London Picture Archive, I can add this marvellous photograph of The Palm Tree in 1971:

Palm Tree Public House 1971, LCC Photograph Library, image © London Metropolitan Archives (City of London), record no. 344336, catalogue number: SC_PHL_02_0976_71_35_340A_14A, used with permission, under licence.

Note the street sign: “Lessada Street” on the right which has vanished, and the brick block at the back on the left which has completely gone, as has the wonderful lamp-post.

Apart from that, it’s not very different. All around it has changed.

“The Palm Tree” from the North, 2nd Oct 2021

The Captain Kidd, Wapping, E1

After breakfast at the Turk’s Head ( see this post ) I went down to the river. The tide was out. I sat on the Thames foreshore and sketched The Captain Kidd.

The Captain Kidd, Wapping E1. 12.10pm 14 June 2021. 7″ x10″ in Sketchbook 10

The Captain Kidd is the building at the front. It’s a pub and restaurant. The larger building behind is “St John’s Wharf”, a warehouse now converted into flats.

The “Captain Kidd” is named after a “seventeenth century pirate William Kidd who was executed [in 1701] at the nearby Execution Dock” according to various websites e.g. The Londonist.

However there is no “nearby Execution Dock”. The carefully researched article on “London Inheritance” concludes that “King Henry’s Stairs” were formerly “Execution Dock” (see note 2). The name was changed in the early 19th century to be better in line with the burgeoning use of the area for trade. The London Inheritance author cannot discover a specific “King Henry” connection. He includes a list of some of the people who were executed here, for crimes at sea including piracy, fighting on board ship, murdering shipmates, and treason.

I note with interest that, these days, the headquarters of the Marine Police are just a few hundred yards upstream. This is a very ancient establishment, which started with a one-year trial in 1798 (note 1).

Here is work in progress on the drawing. See the wonderfully clean Thames foreshore.

I drew my picture in the shade under Wapping pier. Here is a map:

Walking back to the ladder, I collected a handful of porcelain pieces, blue and white. It was as though, years ago, someone threw a china bowl onto the foreshore, and the pieces somehow stayed in the same vicinity, through many tides. Or perhaps it is several bowls.

Note 1: There is a Wikipedia article on the River police: https://en.wikipedia.org/wiki/Thames_River_Police

Note 2. The London Inheritance article is here:

Turk’s Head Wapping E1, from the park

On Monday I cycled out East to the Turk’s Head for breakfast. With a coffee and croissant, in front of me, I sketched the view.

The Turk’s Head Wapping E1, from the park. 09:30am, 14 June 2021. 7″ x 10″ in Sketchbook 10

The Turk’s Head is the building on the right. The church in the picture is the former St John’s Wapping, now converted into flats.

The Turk’s head describes itself on its website:

“La Tète De Turc or The Turks Head is a French – Anglais Bistro. We serve French and English Food. Et Voilà!”

It has tables indoors, and outdoors under cover, and also in the adjacent park. I was outdoors in the park.

Here is a map showing where it is:

I have sketched the Turks Head before, in January 2020:

Turks Head Café Wapping

Here is the marvellous Turks Head Café, Wapping, rescued from demolition by local residents in the 1980s. Inside, I found warmth, quiet tables, and the gentle murmur of conversations: people actually talking to each other. I felt welcome here. The food was marvellous. Next time I’m going to have the Blueberry Tart. I only noticed it after I’d already had the substantial Chicken and Avocado Sandwich.…

Wapping Old Stairs – Thames Beach

I went for a walk out East. Here is the view from the peaceful beach at Wapping Old Stairs E.

Wapping Old Stairs E

This was rather a quick sketch, because the tide was coming in. The geese came to have a look.

Earlier this year I sketched from the top of those steps, looking inland.

Wapping Old Stairs E

On a radiantly bright day I walked East from the City in search of horizons. Wapping, east of Tower Bridge, is where the buildings at last are of human size, and you can see the sky. Next to the pub called “Town of Ramsgate” on Wapping High Street, there is a small passage, a slot…

The passage is to the right, in front of the pub

Wapping Old Stairs is quite hard to find. It is next to the “Town of Ramsgate” pub.

This sketch took about 45 minutes. The colours are Fired Gold Ochre (DS), Phthalo Turquoise (W&N), Perylene Maroon (DS), Mars Yellow (DS). I used the Fired Gold Ochre because it granulates so usefully to make the sand. The algae and green plants on the steps were slightly iridescent, glowing rather strangely even though in shadow.

The O2 from Trinity Buoy Wharf

Here is the view across the river Thames from Trinity Buoy Wharf, E14. The drawing shows “The O2”, which used to be called “The Millenium Dome”. It is an events arena. I have never been inside. In the distance are the towers of Canary Wharf.

I drew this in a lovely peaceful spot sitting on a wooden step next to a shed at Trinity Buoy Wharf. Each person who walked past said hello. A man paused and commented, “Ah, Art is going on!”, which made me laugh, somehow. Perhaps it was the way he said it.

Here is work in progress, and a photo of my art materials and my bike helmet on the step.

The drawing took 1hour30mins. The colours are: Mars Yellow (Daniel Smith), Transparent Pyrrol Orange (Daniel Smith), Phthalo Turquoise (Winsor and Newton).

I have sketched at Trinity Buoy wharf before. See this blog post:

Trinity Buoy Wharf

The headlines in the Evening Standard had described the pollution levels in central London at “Red Alert” levels. So I headed East to the clearer air and big skies of the maritime Thames. Trinity Buoy Wharf is here: I drew a picture of the lighthouse. Above me, four stories of shipping containers contain offices. Words…

Balfron Tower

I went on a marvellous cycle ride in East London. The air was clear, the roads were wide and empty. As I came back I spotted this view of the Balfron Tower. I sat on a low wall in a housing estate off Willis Street, and sketched it.

Balfron Tower, Poplar, east London.

This tower is designed by the architect Ernő Goldfinger, and resembles his other famous tower, Trellick Tower, which is in North West London. Balfron Tower was built in 1967 as council housing.

It has recently been sold by Tower Hamlets Council, and redeveloped by the developer LondonNewcastle as luxury flats. You can see some of the scaffolding in the drawing.

Here is where it is.

Here is work in progress. Also a glimpse of my bicycle.

As I sat sketching, a pale young man approached. “It’s beautiful,” he said as he strode past. He was referring to the Balfron Tower, not to my drawing.

“Yes, ” I agreed, “I think so”. I looked down to my drawing again. But the young man had something else to say.

“You should see Jesus,” he told me, “He’s beautiful too.” Taking my baffled silence as amazement, he continued, “I’ve seen Him, believe it or not”. He left this statement hanging in the air and walked on around the corner, without breaking step.

Wapping Old Stairs E

On a radiantly bright day I walked East from the City in search of horizons. Wapping, east of Tower Bridge, is where the buildings at last are of human size, and you can see the sky.

Next to the pub called “Town of Ramsgate” on Wapping High Street, there is a small passage, a slot between buildings. I darted down there, and found a long view over the Thames, and the stone steps leading down to the river. This is Wapping Old Stairs E. Turning round, to go back, I saw this mix of buildings.

On the right, with the blue window, is the “Town of Ramsgate”. High above it are the walls of the former warehouse “Oliver’s Wharf”, built in 18691 The warehouse was turned into flats in 1970-1972, making it one of the very early warehouse conversions. Warehouse conversions later extended all the way down the river on both sides.

Sketch map showing the buildings around Wapping Old Stairs E.

On the left are the backs of the houses on “Pier Head”, which is a wide elegant road joining Wapping High Street to the river. There is a chain across the road to deter those of us who would like to look at the river from there.

One of the things I notice doing these sketches is the amazing number of television aerials that persist on rooftops, in defiance of the proliferation of broadband services. In this view there are two, both seriously complex and business-like examples of the genre. I think it is time for a exhibition of Television Aerials, as Art. If you are the V&A reading this, consider it now, before they all disappear, or become very valuable.

Wapping Old stairs is not a lonely place. It must feature in books. During the hour and a quarter I was there four couples and individuals walked along the passageway, looked out to the river, took photos and walked back. A man came with his tiny dog. The dog showed an unwise interest in my water pot, which by that time contained an unhealthy mix of Perinone Orange, Phthalo Turquoise and Mars Yellow. I tried to deter the dog from drinking it, and then had to explain to the dog’s owner that I didn’t mind the dog atall, but I didn’t think he should drink that particular water. They were going to go for a walk on the foreshore, but the tide was still high and sloshing over the steps, which put paid to that idea.

Here is work in progress.

(1) F. & H. Francis. 1869-70. Wapping, London E1. Built for George Oliver “in the Tudor gothic style, this wharf handled general cargo but had special facilities for tea” [Craig, Charles, et al.  London’s Changing Riverscape: Panoramas from London Bridge to Greenwich. London: Francis Lincoln, 2009. Quoted in “victorianweb.org”]

View from the South side of the river, photo from “LoveWapping.org”. This photo shows the smoke from a fire which broke out in one of the flats, Sept 2019.

Turks Head Café Wapping

Here is the marvellous Turks Head Café, Wapping, rescued from demolition by local residents in the 1980s.

The Turks Head Cafe, in front of St John’s Tower

Inside, I found warmth, quiet tables, and the gentle murmur of conversations: people actually talking to each other. I felt welcome here. The food was marvellous. Next time I’m going to have the Blueberry Tart. I only noticed it after I’d already had the substantial Chicken and Avocado Sandwich.

Inside the Turks Head Café

I went to pay my bill. When I returned to my table, there was a little group of people admiring the sketch (above). I chatted to a man called Mark, who, it turns out, runs the website “lovewapping.org“. We exchanged anecdotes about the representation or otherwise of residents’ views on local councils. His group grapples with Tower Hamlets Council.

Then I went outside to draw the café.

The tower in the background is St Johns Tower. The tower is “all that remains of the parish church of St Johns circa 1756 … the surrounding ground was rebuilt as flats in the 1990s to an attractive design reflecting the previous building on the site” says the Knight Frank website (an estate agent).

This drawing took 1hour 15 mins, done from the pavement by a huge brick wall. The colours are Perinone Orange, Phthalo Turquoise, Mars Yellow and Hansa Yellow Mid. As you see, the front of the cafe faces West, and caught the setting sun.

Here is the wall next to where I was standing.

London Bricks in Wapping.

Hermitage Moorings and The Shard

Walking east, downriver, the crowds left behind, suddenly there is space and silence.

Hermitage Moorings, with the boat “Twee Artsen”

This drawing is a view across the river from the North bank. Tower Bridge is just off to the right. Opposite you see The Shard, and the waterfront buildings of Hays Galleria. The curved building in the background houses the Greater London Authority (GLA).

In the foreground is the boat which is called “Twee Artsen”. As far as I can work out, that is Dutch for “Two Doctors”, as in medical practitioners. It seems a strange name for a boat, so perhaps I got that wrong. Can anyone advise me?

This was a lovely place to draw.

The drawing took about half an hour. The sky is cobalt blue, knocked back a bit with Naples Yellow Red. There’s some Mars Yellow and Perinone Orange for the masts of the boats. The Thames is Cobalt blue with Burnt Umber. The boat black is made from Phthalo Green (BS) and Perylene Maroon. There’s some Hansa Yellow Mid in there too, for the lower sky. Quite a lot of colours in this one. The Naples Yellow Red is a Rembrandt colour, all the rest are Daniel Smith.

Where Hermitage Moorings is.

The Eastern Cluster from Tower Wharf

I went down to the river to find the sun. It was there, flooding the North side of the Thames, and so were an extraordinary number of tourists.

But who can blame them? The city was looking clear cut and perfect, there was a slight haze in the distance, a blue sky, and a low golden sun. I stopped by The Tower, and admired Tower Bridge, as everyone else was doing. Then I looked the other way, and saw the towers of the City.

From left to right: 22Bishopsgate (the tallest), the Cheesegrater, the Scalpel, the Gherkin.

I enjoyed the fact that you can see the pollarded trees and the chimneys of the buildings of the Tower of London, in front of the skyscrapers. The lower, pointed building, just to the left of the Gherkin, is the former headquarters of the Admiralty. Samuel Pepys (1633 – 1703), who wrote the diaries, worked there. This building is now an upmarket hotel.

The castellations in the foreground are part of the Tower of London.

The colours used are Cobalt Blue, Burnt Umber, and Mars Yellow, all Daniel Smith watercolours.

This drawing took about an hour, drawn and coloured on location.